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the  darkening  sky.  I  could  almost  hear  the  din  of  battle
            unfolding between the concluding rays of the day and the
            mad  city’s refusal  to be revealed  by something  so paltry
            as light. Standing so close to Willard, I could appreciate a
            palpable undercurrent of residual madness, sweeping those
            with appropriate sensitivities into the gravity of secret worlds,
            inviting them to take on the burden of forgotten lunatics, to
            convey a flourish upon the monument to madness. Yet brick
            and mortar was not my medium of choice, so I declined the
            invitation, at least for the moment. I rounded a final bend
            and at last, Willard came into focus.
               The  city was a material  outline  of a lunatic’s thought
            process.  It  seemed  desperate  to  capture  within  stone  and
            wood the quicksilver shapes of a madman’s fancy. Houses,
            gardens, fountains, clock towers and churches rose and fell
            into and around each other, forming metropolitan  entities
            that seemed to stir—as if the momentum of insanity had yet
            to exhaust itself, despite the absence of the broken minds that
            had once called it down from the sky as truly as lightning
            rods.
               The  road  I  followed  into  the  city  ended  at  many  an
            empty residence. The remains of kitchens, bedrooms, and
            living rooms punctuated the distance of my paved path as
            it transformed into other, more secret paths—tendrils that
            slithered around thickets and beneath graveyards, through
            black tunnels and silent crypts. Willard, to be certain, was
            a great sloughed-off skin that madness had once worn with
            such pride and glory, rendering even the sun dim by means
            of its terrible brilliance.
                I entered the city in darkness, as was necessary from a
            hunter’s perspective, to say nothing of that of an outré artist.
            It was a notoriously strange place filled with the material
            and quite possibly immaterial articulations of insanity—of
            men and women who went from raising the walls of their
            city to being imprisoned by them. Due to the immensity
            of the population of lunatics, it was determined that their
            300 | Mark Anzalone
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