Page 335 - TheRedSon_PrintInterior_430pp_5.5x8.5_9-22-2019_v1
P. 335

of dilapidated  tenement  buildings, a beautifully  endless
            complex of apartments.
               As  I  approached  the  spiraling  marvel,  I  alighted  upon
            the cracked  stone of a narrow walkway.  The path led
            into  and around a forest of crooked  property markers,
            broken birdbaths, and  close-packed  hordes of tacky lawn
            ornaments. At last, I stood before the building, beneath a
            second  rain—cartwheeling  paint  chips,  cast  off  from  the
            curdling exterior of the towering hovel. The wind narrowed
            to a whisper, allowing a single, contrasting note of air to
            sound out the appropriate awesomeness of the moment. In
            its turn, stepping out from behind the thin curtain of sound,
            came the relentless creaking of the rambling monolith, the
            unsteady balance of countless buildings standing atop each
            other’s  rickety  shoulders.  I  drew  as  close  to  the  structure
            as I could without losing sight of its swaying top, enjoying
            how it conducted my vision into the boundless sky, my sight
            pulled into forever. Looking back over the path I’d followed
            to  arrive  at  such  a  marvel,  I  watched  as  the  ghost  of  the
            glowing rain rose again as a softly radiant mist, threatening
            shapes  wandering  its  dimly  visible  interior.  It  was  only
            this specter of violence that at last caused my father to stir
            from his rest. Yet I was in no mood for the distraction of
            bloodshed—the spire called.
               The place admitted me without resistance, the large door
            atop a teetering, rotting porch swinging open upon barely
            solid moorings.  The heady odor of melancholy  tumbled
            beyond the threshold. The wood of the lobby was so soft,
            it felt like carpeting beneath my footsteps. The surrounding
            walls wore their water damage like museum art, each tone
            of orange and brown expertly laid into their death and the
            consequent  birth  of  mold.  Failing  pillars  of  counterfeit
            alabaster barely hefted the cathedral ceiling above my head.
            They had failed altogether in numerous places, spilling the
            guts of the second story across the fungal floor. The discount
            simulacrum  of a Grecian  lobby contrasted  wonderfully
            338 | Mark Anzalone
   330   331   332   333   334   335   336   337   338   339   340