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harvest. They started there because the end was an explicit
            affair, while beginnings were almost entirely implicit—easy
            to miss, harder to capture, requiring a seasoned artist with an
            eye for the hidden. In fact, the only thing more difficult to
            render, in its approximate completeness, was a dream, which
            was both causeless and endless, yet  it  begins and ends—
            paradox incarnate. This should do well to explain why I was
            not a photographer—one cannot photograph a dream.
               When the sun was all but dead, I came upon the remains
            of a house, destroyed almost entirely. Its placement within
            the densest crowd of trees the woods had to offer—at the
            foot of a meandering boneyard, no less—intrigued me. The
            solemn photographer had entered the structure, and so did
            I.  Its  rooms  were  thoroughly  destroyed  by  the  weapons
            and workers of the woods—vines, weeds, burrowing and
            nesting things. Rooms little more than bones of an ancient
            industry sheltered various night-things, creatures preferring
            the darkness of natural enclosures, the corpses of forgotten
            dead, and the inattention of sun-loving prey. One after the
            next,  crumbling rooms appeared  and vanished  from my
            focus, the tracks casually picking through the various debris.
               Suddenly, and without suitable preface for such a bizarre
            thing, a room darker than it had occasion to be appeared.
            Daylight  still  lingered  the various entrances  to the place,
            a lilting glow that, while diminished, should have had its
            way with the thickest natural darkness. But the black hung
            like a curtain across the threshold, nearly tangible, decrying
            any and all illumination.  Gently disturbed by a cautious
            breeze, the sable curtain even reacted as if a material thing,
            however slightly. I reached out to touch it—cobwebs and
            cold. I pushed through it, and a membrane of outer darkness
            admitted me. The space within was completely free of light,
            not a speck staining the air. The cold and dark were a unified
            force here, molded from purpose, surely. My eyes, stunned
            for the absence of obedient shadow, struggled for signposts.


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