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CHAPTER SEVEN





            After many days of travel, I found myself in a small village,
            its  sole  redeeming  feature  a  large  stone  statue  carved
            sometime  during the Great Darkness.  With the blackest
            of anthracite  wings framing a largely skeletal frame, the
            clam of death settled like dust across the expertly engraved
            nuances of pores and frown-marks.  The creature seemed
            more  breathing  flesh  than  cold  stone.  Inscribed  upon  its
            base was Mother of the Stillborn. While lacking any Pre-
            Darkness existence, the statue was only a graven dream, a
            form without substance. But this fact had not stopped cabals
            and cults from gathering in its—her—honor.
               Where  there  is mystery, there  is religion,  so they  say,
            and the Darkness has been the source of many a new faith,
            often to the destruction of an older one. Here was  just
            such a case—the  dark woman  seemed  to demand  a past,
            a mythology all her own. It might have been her exquisite
            construction, or perhaps her darksome, unending stare that
            compelled  the  specific  folklore  that  was  draped  across
            her delicate frame. Or, more likely, and the reason I much
            prefer—the lady herself commanded such supplications, as
            she partook of a genuine existence that black stone and story
            had only recently caught up with.
               Whatever the reason for her rise to prominence, her given
            mythology was fairly uniform. She was believed  a spirit,
            or dour angel,  who caught  the tiny souls of the  stillborn,
            replacing  them  to  her  own cold,  dead  womb, to  later  be

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