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70  AN EXILE OF THE MIND        BOMBED BUT NOT BOWED                            71





                          Bombed but not bowed



                   Emerging from the rubble. Violin concerto in a bomb shelter.
                              Skin art revealed in a wartime hospital.
                                 Schooling begins at knee height.


                        y earliest wrung-out memory was, as a mere tot, the world
                  Mtearing itself apart and exploding into flames and flying
                  debris. Air raid sirens droned of terror from a menacing sky and
                  operatic doom would bubble over into the cold war years with its
                  threat of nuclear extinction to cast despair on a sensitive mind.
                  On moonless nights the streets were dark as rows upon rows of
                  houses with blackness on their windows hid the glimmer of light
                  from enemy planes.
                     I was  perambulated  through  dark alleyways  as  the  sound
                  and fury of bombers, twenty thousand feet above, let loose their
                  carnage. Oblivious to the shrill of sirens and rainless thunder,
                  my  mother calmly pushed toddler and pram to visit relatives
                  long since scattered to the sanctuary of bomb shelters, inhaling
                  the rubbery pongs of child-fright gas masks.
                     The ‘horse-headed’ apparition of my mother emerged through
                  clouds of dust to squint through her goggle-eyed mask amidst
                  smouldering rubble in a street that was no longer familiar. We
                  were taken by the Home Guard to a nearby house. One of several
                  still standing with windows intact. The kettle already steaming
                  on the hob for a cup of strong tea.
                     A backyard air raid refuge, an Anderson shelter, was shared
                  with our neighbour. Partially buried and covered with an arch
                  of corrugated iron with soil added to soften the blows and grow


                  Operatic doom bubbled over into the cold war years.
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