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96  AN EXILE OF THE MIND         THE RIVER OF LANTERNS                          97




                             The river of lanterns




                   Upside down view of Panama. A brothel of a boarding house.
                       Lost in the jungle. Face to face with a mountain lion.
                       Brother Leon’s tin drum. In the mud with the Premier.


                      oloured streamers parted as the Rangitoto pulled away from
                 CPrinces Wharf in Auckland with no one at the end of mine to
                 tug a teary farewell. Two weeks later a solitary figure walked down
                 the  gangplank  wearing  a scout  hat  and a backpack displaying
                 ‘New Zealand’ in several languages to let the world know from
                 where he hailed. Passengers stared from the decks above to watch
                 this lone traveller disappear into the restless city of Panama, the
                 former playground of Morgan the pirate.
                    Soldiers’ boots flashed sparks across the pavement as I viewed
                 the city from upside down. My cab was rocked and overturned by
                 student protestors when I was still inside it. Soldiers waved weapons
                 at the angry mob and I yelled the only Spanish I knew at the time:
                 “Yo no soy Americano.” (I’m not an American.) A phrase I would
                 use often in this part of the world. This little skirmish was to remind
                 Americans of a welcome outstayed. A torn flag had triggered a riot
                 causing several deaths in the Canal Zone the year before.
                    Panamanian  hands reached  down to yank me out of the
                 cab door to safety and flee out of harm’s way to the sanctity of
                 their studio. Two sculptors, hair peppered white with dust, had
                 watched  the  drama unfold from their  window. Under  the  high
                 ceiling stood a large stone sculpture of Jesus, arms outstretched,
                 with the head not yet finished. My pale countenance was closely
                 scrutinized and the  artists agreed  that my blue  eyes  and fair


                  Sunset from a beach in the former British Honduras.
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