Page 45 - Australian Wood Review №103 2019
P. 45

PROFILE



















                      s we witness the development of
                 Aartificial intelligence, robotics
                and machine learning, things made
                by human hands are likely to become
                more surprising.



                Byron Raleigh, 43 trades under the
                name Artefact Furniture, a name
                that draws attention to its essence

                and is spelt out on his website: ‘Ar-
                te-fact: An object made by a human
                being, typically an item of cultural or
                historical interest.’
                                                                  1

                It’s a positioning statement for a

                business that espouses traditional             Around four years ago, with some                            Opposite: Byron Raleigh in
                                                                                                                           his well ordered workshop in
                values: solid timber furniture, traditional    income from the central Victorian
                                                                                                                           Northcote, Victoria.
                joinery, high quality, made to last.           farm he grew up on, Byron had the                           Photo: Linda Nathan
                                                               ability to take his workshop from                           1.  Byron’s Femur chair started

                And yet, while Byron sees that touch           home to a small factory that he                                 with an idea for a form
                                                                                                                               that would be ‘flowing,
                of humanity as the defining element            leased and has now populated with                               seamless’. ‘The shapes are
                for what he makes, he loves machines           fine ‘mid-century’ machinery and                                nested somewhat to come
                                                                                                                               out of 150 x 38mm without
                and is inspired by what they offer. He         other tools.
                                                                                                                               too much waste, and the
                speaks quietly but has strong views,                                                                           front leg comes out of
                                                                                                                               the offcut.’ Photo: Marc
                many of which at first seem opposing.          For those who appreciate such things
                                                                                                                               Buckner
                                                               it’s a beautiful space. It gleams with
                                                                                                                           2.  Design is a process that
                He owns older but top of the line              the pride of order and considered                               starts with sketches and
                machines to produce not volumes                arrangement. On the walls and                                   then moves into scale
                                                                                                                               cardboard models like
                of work but, it seems, for the joy of          shelves are jigs, templates and                                 the ones shown below.
                appreciating the consistency and               prototypes for designs that have been                           The next step is full scale
                                                                                                                               prototypes which allow
                accuracy of what they can do. He               developed and constructed over time.
                                                                                                                               joinery techniques to be
                loves their build quality: it’s likely he’ll                                                                   nutted out. Photo: Linda
                never have to replace them.                    What is it he likes about making                                Nathan

                                                               things? ‘I like the autonomy; being a
                He designs furniture with production           master of your own time, and it’s the
                efficiencies in mind, but is not               discovery of making as well’, said
                concerned with producing those                 Byron. Without being totally reliant

                designs en masse.                              on income from furniture making

                                                                                                                                                  2
                He wants to make affordable
                furniture and objects, even
                though the scale of his

                production is small and
                high profit margins are not
                possible.



                He is a country person
                who lives in the city…and
                sometimes wonders why,
                but accepts that he is now
                a ‘hybrid’.




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