Page 6 - Poems
P. 6

MAHIM TO GOREGAON






            he mirth in both sets of eyes      wants, teasing, being teased. This was the route
        Tis killing me. Who is this “mohawked”  from Out to In. Through their hearts, their ready,
        girl, that word as alien to their      steadying hands leaping into compartments meant
        vocabulary as “kasa kai” to Mick Jagger’s  for men, not a single nasty grope to poison
        (and mine). Has she no mother, no shame!  my love for this, the city, the boys and all
        No shame in shaving your head for fun  the fisherwomen slopping water everywhere,
        in Mumbai, the local ladies look and look  saris tucked around their hefty thighs, bejewelled
        away, more urgent questions pressing   creatures of my deep-sea dive into this throng
        their fingers into peapods as they shell  so close so strong it felt, all of it, like me.
        baskets in readiness to alight.        Outsider, leaning in, learning to pass my bag
        A light shines past their elbows       from hand to hand, head over head, tilting
        through the crush and the seats leave   sideways, learning slowly, swiftly, right or
        ridges on my thighs, bare and sweaty   left, and so waiting on right or left, standing
        in shorts, pressed between two boys    near but not too near the open doors through
        in the men’s compartment, my friends,  which the sky the stench the heat the sea
        two Mumbai local lads who took me      came rushing in and nearly drowned us all.
        under their bent batwings. We only flew  But never, not quite, engulfed, except
        at night, radaring each other’s unsaid  at Mahim Creek where I exposed my innermost
                                               outsiderness by clapping hands to nose in reeling shock,
                                               the reek no one noticed but I. But aye, that, too,
                                               passed. Past Mahim I rode unflinchingly, immersed
                                               in The Beastly Beatitudes of Balthazar B, my body tuned
                                               to the secret syncopation of page and station,
                                               lurching, leafing, closing in time to rise and leave
                                               unflusteredly at Goregaon, where the boys
                                               had called me home, where,
                                               in the not-too distant future,
                                               the man I loved would meet me
                                               on a set in a film in a city, Film City,
                                               Jail, School, Court,
                                               cavernous locations teeming with
                                               shots of shampooed hair tossed
                                               from side to side so outrageously
                                               it could only be an ad, and I, a copywriter,
                                               and each lad, an art director with Black Books
                                               and Golden Pencils on his mind. Remind me,
                                               sweet, of that time we sat together,
                                               three delinquents singing and sprawling
                                               on the hot and dirty floor of an empty coach,
                                               the whole train ours, and the world we rushed towards
                                               as if it, too, were ours,
                                               all ours for the taking.

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