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said on unimpeachable authority that my great-aunt her-
         self had led a ‘gay’ life in her younger days, and had been
         notoriously ‘kept.’ I could not refrain from passing on so
         important a piece of information to my parents; the next
         time  Bloch  called  he  was  not  admitted,  and  afterwards,
         when I met him in the street, he greeted me with extreme
         coldness.
            But in the matter of Bergotte he had spoken truly.
            For  the  first  few  days,  like  a  tune  which  will  be  run-
         ning in one’s head and maddening one soon enough, but
         of which one has not for the moment ‘got hold,’ the things
         I was to love so passionately in Bergotte’s style had not yet
         caught my eye. I could not, it is true, lay down the novel of
         his which I was reading, but I fancied that I was interest-
         ed in the story alone, as in the first dawn of love, when we
         go every day to meet a woman at some party or entertain-
         ment by the charm of which we imagine it is that we are
         attracted. Then I observed the rare, almost archaic phrases
         which he liked to employ at certain points, where a hidden
         flow of harmony, a prelude contained and concealed in the
         work itself would animate and elevate his style; and it was
         at such points as these, too, that he would begin to speak of
         the ‘vain dream of life,’ of the ‘inexhaustible torrent of fair
         forms,’ of the ‘sterile, splendid torture of understanding and
         loving,’ of the ‘moving effigies which ennoble for all time the
         charming and venerable fronts of our cathedrals”; that he
         would express a whole system of philosophy, new to me, by
         the use of marvellous imagery, to the inspiration of which I
         would naturally have ascribed that sound of harping which

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