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more.’
‘If it will give you pleasure—delighted.’ And this obliging
person took her place again and struck a few chords, while
Isabel sat down nearer the instrument. Suddenly the new-
comer stopped with her hands on the keys, half-turning
and looking over her shoulder. She was forty years old and
not pretty, though her expression charmed. ‘Pardon me,’
she said; ‘but are you the niece—the young American?’
‘I’m my aunt’s niece,’ Isabel replied with simplicity.
The lady at the piano sat still a moment longer, casting
her air of interest over her shoulder. ‘That’s very well; we’re
compatriots.’ And then she began to play.
‘Ah then she’s not French,’ Isabel murmured; and as the
opposite supposition had made her romantic it might have
seemed that this revelation would have marked a drop. But
such was not the fact; rarer even than to be French seemed
it to be American on such interesting terms.
The lady played in the same manner as before, softly and
solemnly, and while she played the shadows deepened in
the room. The autumn twilight gathered in, and from her
place Isabel could see the rain, which had now begun in
earnest, washing the cold-looking lawn and the wind shak-
ing the great trees. At last, when the music had ceased, her
companion got up and, coming nearer with a smile, be-
fore Isabel had time to thank her again, said: ‘I’m very glad
you’ve come back; I’ve heard a great deal about you.’
Isabel thought her a very attractive person, but neverthe-
less spoke with a certain abruptness in reply to this speech.
‘From whom have you heard about me?’
242 The Portrait of a Lady