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Fauchelevent. Find some means of getting me out in a bas-
         ket, under cover, like Cosette.’
            Fauchelevent scratched the lobe of his ear with the mid-
         dle finger of his left hand, a sign of serious embarrassment.
            A third peal created a diversion.
            ‘That is the dead-doctor taking his departure,’ said Fau-
         chelevent. ‘He has taken a look and said: ‘She is dead, that is
         well.’ When the doctor has signed the passport for paradise,
         the undertaker’s company sends a coffin. If it is a mother, the
         mothers lay her out; if she is a sister, the sisters lay her out.
         After which, I nail her up. That forms a part of my garden-
         er’s duty. A gardener is a bit of a grave-digger. She is placed
         in a lower hall of the church which communicates with the
         street, and into which no man may enter save the doctor of
         the dead. I don’t count the undertaker’s men and myself as
         men. It is in that hall that I nail up the coffin. The undertak-
         er’s men come and get it, and whip up, coachman! that’s the
         way one goes to heaven. They fetch a box with nothing in it,
         they take it away again with something in it. That’s what a
         burial is like. De profundis.’
            A  horizontal  ray  of  sunshine  lightly  touched  the  face
         of the sleeping Cosette, who lay with her mouth vaguely
         open, and had the air of an angel drinking in the light. Jean
         Valjean had fallen to gazing at her. He was no longer listen-
         ing to Fauchelevent.
            That one is not listened to is no reason for preserving
         silence. The good old gardener went on tranquilly with his
         babble:—
            ‘The grave is dug in the Vaugirard cemetery. They declare

         902                                   Les Miserables
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