Page 100 - J. C. Turner "History and Science of Knots"
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90                      History and Science of Knots

              Knots and splices are useful because they bind things; yet, in ancient
          China knotted ropes were employed to keep records as well . Such practice as
          exercised by Hsuan-yuan , Fu-hsi, Shen-nung, and other notable mythological
          figures is well documented in a chapter in the classic Chuang-tzu [7]. It is also
          set forth in a commentary in the I Ching that `in prehistoric times, events were
          recorded by tying knots , and in later ages, writing was used for the purpose
          instead' [6]. In his classic I Chu, the Han scholar Cheng Hsuan (127-200)
          further expanded on this passage to point out that `great events were recorded
          with large knots, while smaller knots signified events of less importance' [6].
          Some fine examples would be that the numbers 10, 20, and 30 were symbolized
          with the knots  { ,  j 1 , and t" respectively, and that the word
          `end' was represented by the " knot [8].
              As the civilization of China progressed , existing knot types and their
          variations could no longer meet the increasingly sophisticated requirements in
          the recording of events . While men had been able to replace the knot device
          with more advanced systems, such as pictography and writing [15], knots were
          still widely used in daily life and were depended upon by men . Some of these
          primitive knots were even decorative in structure.

          The Characteristics of Chinese Knotwork

          Chinese knotwork has primary utility as decoration, and its intrinsic aesthet-
          ical value is truly beyond compare. Not only does it occupy an important
          position in the decorative arts of China, it has also assumed a catalytic role
          in the development of the art of knotting in both Japan and Korea. That the
          Chinese ways of making knots could have exerted such a widespread influence
          in East Asia is by no means a coincidence; the author.believes that the causes
          must be found in the structural diversity of the knotwork and its versatility in
          application.
              The Chinese knots of concern to us in this article are those of both deco-
          rative and practical value. In general, they have the following characteristics:
              First, Chinese knots are very compact in structure. The strain which
          pulls against the knots would draw the constituent parts tightly together,
          allowing them to hold. At the same time, Chinese knots are highly decorative,
          making them suitable for a variety of applications. The practice in T'ang
          China (618-907) of tying presents with red and white strings or cords serves
          as a good example; and as a matter of fact it is in this Chinese tradition that
          the Japanese mizuhiki finds its origin [12]. While the first mizuhiki emerged
          in the 7th century, the Japanese have through the ages shown a stern loyalty
          to `tradition' and confined the application of the mizuhiki exclusively to gift-
          wrapping, and, as a result, no significant or innovative breakthrough has so far
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