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have a certain feel for this style of music and it tickles

                                                    me when I meet other Zydeco bands from around the
                                                    world, from California or from other places or countries
                                                    and I just laugh to myself because they’re imitating what
                                                    we’re feeling.

                                                    BiTS:  I understand that. Does that frustrate you?


                                                    DD:  It only frustrates me to the point because when
                                                    people think of Zydeco, if that’s their first experience, to
                                                    think that’s what Zydeco is. With the help now of the
                                                    internet, then yes, you can pull up what is Zydeco, and
                                                    you’ll see Clifton Chenier, you’ll see Rockin’ Dopsie.
                                                    You’ll see people like C.J. Chenier, Buckwheat Zydeco,
                                                    myself and other Zydeco musicians that have travelled

    and really been out there. I definitely appreciate the appreciation of them wanting to play the
    music, but you have to be a very established accordion player to really play Zydeco and a lot of
    these bands around the world, they’re only imitating. It’s like if I see a cooking show on TV, I might
    love what he’s doing or love what she’s doing, and I’m going to imitate it, but it’s not going to have
    the same taste and feel because I don’t feel the ingredients that they feel they need to put there to

    make it taste a certain way.

    BiTS:  Dwayne, I’m a great lover of your latest album, the one called “Set Me Free”, which I think is
    absolutely terrific. I’ve played a few tracks on my radio
    show. Tell me something about it. Was it hard to make?
    Was it just go straight into the studio and do it, or what
    happened?

    DD:  No, it was something I was thinking about for

    quite a while and what the pandemic did is it gave me
    time to get out there and do exactly what I had on my
    mind because every song that I put on there was
    something that I was thinking about from that song
    ‘Shake, Shake, Shake’. I envisioned a juke joint back in

    the 50s and people dancing to the Zydeco and this place
    would just be hopping on Friday and Saturday night.
    Every song on there has a different piece of my brain
    that I thought about, went over, and this is something
    that is my best project. That, I definitely believe.

    BiTS:  A lot of the tunes that are on it - in fact, most of the tunes that are on it are very fast. Is that

    a signature of the kind of music that you like to play? Fast music?

    DD:  That’s actually what Zydeco is. Zydeco was never meant to be a slowed-down type of music for
    people to learn how to dance to and that’s what’s happened over the last almost 15, 18 years as a lot
    of bands came about. When you listen to Clifton’s Zydeco two-step - it’s a two-step. It’s not the slow
    bub bub bub bub. No, that’s not Zydeco because Zydeco, it has pep to it. Zydeco is shuffles, back
    shuffles. A two-step is not just a one beat music.
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