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produced this album so maybe I was expecting something special but I felt the

     production was a bit old style and somewhat flat rather than having a contempo-
     rary feel to it. Maybe that was the intention but it doesn’t quite work for me, see
     what you think.



      Ged Wilson
                                                 Andrew             Duncanson—California                      Trap
                                                 Featuring  Michael  Peloquin—Run  It  Back
                                                 Records RIB RECORDS 25001

                                                 Champaign-Urbana  native  Andrew  Duncanson,
                                                 was with his band Kilborn Alley Blues Band, for
                                                 almost twenty years and has worked with Dig3 and
                                                 the  Mary  Jo  Curry  band.  Now,  for  this,  his  soul
                                                 drenched  solo  album,  he  has  teamed-up  with
                                                 Michael Peloquin; harmonica and Kid Andersen;
                                                 guitar, at Greaseland Studios.

                                                 The optimism filled opener, ‘Relearning To Climb’,
                                                 possesses the rolling, satisfying echoes the sweet
                                                 swaying, horn flights of Stax and Malaco.

      ‘Naw, Naw, Naw’, this horn filled, sorrowful tale explains his unfaithfulness and lies
     to a past lover and the consequences.

     The toe-tapping, bouncing shuffle that is ‘Hold Me Back’, possess a menacingly,
     enticing  driving  harmonica  and  bristling  vocal,  which  relays  a  tale  of  personal
     rancour.

     ‘California Trap’, is a slowburner with crisp, rolling piano, smarting guitar, very
     mellow saxophone.  AD’s vocals echo Big Joe Turner. While ‘Town Saint’, is quite
     simply, a bass driven funker, with a splendid trumpet solo and fiery guitar flourishes.

     ‘Outer Space’, is a harmonica, guitar and saxophone driven fantasy to leave one’s
     troubles behind. ‘What Kind Of Man’, is a horn driven soulful ballad, explaining what
     one should be, not what one is.

     The Woody Guthrie’s ‘This Land Is Your Land’ is inspired by the late Sharon Jones
     soul fuelled version. ‘Feelin’ Better Now’, is a delightful piano and lusty harmonica
     driven low-down tramping R&B mover.

     ‘Next Life’, is a drawling slowburner, with pulsing organ, mellow sighing horns and
     raw guitar. The jaunty ‘More Lows Than Highs’, describes life with honking horns
     and a sparkling guitar.

     The country inflected ‘It’s A Pleasure’, celebrates friendship as a sweet harmonica
     delights throughout.

     ‘Better Off Now’, is a horn laden, swaying ballad celebrating the joys of love and a
     future life.


     Recommended!

     Brian Harman.
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