Page 9 - TheBridge_Vol16

A LETTER FROM THE EDITORS

There is a tendency to find life even in the most unwelcoming places, to find creativity among the
natural world even when it feels as if it’s slipping away.

Throughout the creation of Volume 16 of The Bridge, we worked to try to find the intersection
between the abstract and the concrete—to pair together the comforting messiness of the natural
world, with oceans, and dirt, and forest, and a minimalistic kind of cleanliness, with stark lines,
geometry, peace in order. We struggled with these two concepts in both design as well as in
content. How could we dedicate a journal to order, without also including the reality of mess?

What lies before you is an answer to that question—the realization that life and art can be both:
earthy and comforting, while also having a dedication to order and the contemporary design
influences and values of geometry. The cover of this journal was inspired by the convergence
between these two places; straight dark lines look almost like telephone wires, piercing through
soft clouds or mountains. Perhaps they are a bridge that crosses between two worlds, to create a
reality where even the most drastic differences can agree.

While we tried to determine where abstraction and order worked together in our own little
bubble, the world around us seemed to have already figured it out. We discussed color palettes,
unable to decide what best suited our content and vision. Eventually we found it: The Pantone
Color of the Year, Living Coral, the bright pink you see on the cover. Living Coral drew together
the themes emerging in the art and literature we received: it’s striking but soft, almost unnatural,
yet its origins trace back to a part of the natural world where we find comfort and humanity.
Living Coral complements the natural blues, browns, oranges, and greens, spinning the harsh
white pages into a gently tangled mess of color. Continuous lines run throughout the entire
journal, connecting, breaking apart, changing color but always continuing forward.

We would like to thank Bridgewater State University’s students and alumni for having the
courage to submit their work to our journal for publication; we are glad to have the privilege of
presenting your creativity in these pages. We would like to personally thank our faculty advisor
Evan Dardano for his dedication, wise experience, and kind guidance during our often far too
adventurous endeavors. We would also like to thank our graduate assistant Jill Boger for her
editorial advice, eye for unique design, and grammatical expertise in helping us accurately fulfil
our vision, and our design consultant Cady Parker for her patience in teaching us all things art
and the precision of her advice.

Lastly, we would like to thank you, the reader, for being a part of this experience. For choosing
to open this journal and engage with the creative works that our students have offered. We hope
this journal accurately and diversely represents Bridgewater State’s students and alumni while
also challenging the expectations of what art and literature is or should be.
Sincerely,
The Editors of Volume 16