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LAST WORD


       OFF THE                                                                 – if still alive – ensure that the end results are
                                                                               of suffi cient merit so as not to discredit the
                                                                               performer or the original album.
                                                                                 These sets have to deliver the goods to
       LEASH!                                                                  justify the prices, so the norm is something
                                                                               like this... 1) You get the original album on
                                                                               two or more formats, often CD and vinyl,
                                                                               with some including the album on Blu-ray
                    TE
                      E
                      E
                                                                               the original album on another disc. 3) A 5.1
                  E
                   R
                                    I
                                  IT
                                    S
                                      .
                                     .
                       LL
                      E
                         S
                             LIKE
                           IT
        KEN KESSLER TELLS IT LIKE IT IS.....                                   audio. 2) A remastered or remixed version of
                                                                               surround version if it dates from the era of
        Ken Kessler suggests                                                   quadraphony. 4) A purist PCM stereo disc.
        that we collectors are all                                             5) One or more CDs containing leftover
                                                                               material, such as outtakes. 6) Other stuff
        too happy to reinvest in                                               related specifi cally to that album, including
        music we already have                                                  singles of the period. 7) An unreleased live
                                                                               performance. 8) And fi nally, if available, a
              ecent data from the RIAA shows   because the only hold-outs for CD are the   video DVD or Blu-ray, usually containing one
              that vinyl LPs outsold CDs in the   remaining Baby Boomers.      of those previously-broadcast ‘making of the
              USA for the fi rst time in decades.   They are now pensioners, arguably   album’ documentaries.
        RMight this suggest the possible   retired, perhaps with empty nests and a bit   Enabling all of these box sets are the
        hastening of the latter format’s demise?   of disposable dosh. Financial status aside,   marketing man’s dream: anniversaries. These
          I am not so sure. For a format which some   they are the ones who tend to be the   are one of the passage of time’s few gifts to
        will argue is moribund at best, there’s still an   collectors of physical media, not downloads,   us, naturally-occurring markers to celebrate
        awful lot of activity on that front. And you   and among them are suffi cient completists   past achievements, and they present
        can be sure it’s not Gen-Xers and Millennials   who are prepared to drop loads-a-money on   opportunities for reissuing classics not just of
        who are buying the newest CDs, for they are   albums they already have.  music albums, but also wines, wristwatches,
        the demographic that, along with those                                 cars, handbags and anything else with true
        born more recently, migrated seamlessly   THE RIGHT ROUTE              history. It works because, even after 50
        to streaming, or, more likely, never used   Rubbing their hands with glee at these   years, there are enough survivors from fi rst
        physical formats for their listening pleasure.  customers (and I am unapologetically one of   time around who want to recall their youth.
                                           them), the record labels tempt us with either
        LAVISH LURES                       better sound quality via remastering, or the   TICKING CLOCK
        If there’s an irony (rather than desperation   aforementioned unissued tracks. Better   How else do you explain the 38CD, £700+
        on the part of the record companies) in the   sound and/or more material? Count me in!   box of all the Woodstock performances
        plethora of new CD box sets coming out,   What John Lennon fan can resist an   selling out, such that it now commands
        it’s that they are aimed at the apocryphal   expanded, multi-disc Imagine? Can any   £1000-£3000 on eBay? Simple: nostalgia is
        ‘Fifty Quid Man’ who, 15 years ago, revived   Marillion buff not be seduced by a 4-disc   probably, after perceived prestige/ego
        the music retailing biz by                     Clutching At Straws? Which   reinforcement or imagined sex appeal, the
        dropping into HMV on a   ‘Better sound         Jethro Tull addict isn’t blown   biggest inducement to get someone to part
        weekly basis to buy a CD or                    away by the expanded 40th   with silly sums. And I speak as one who has
        LP, perhaps even two or three,   or unissued   anniversary Aqualung?   been caught so many times that I am
        thus earning that moniker.                       Fortunately, to counter   reluctant to admit it.
          Only now it’s ‘Hundred   bonus tracks?       the most brazen greed     There is, however, a ticking clock, which
        Quid Man’, because the CD                      (McCartney’s deluxe Flaming   is where we came in. Just as the demise of
        sets to which I am referring   Count me in!’   Pie takes the biscuit at a few   CD seems inevitable and within the near
        arrive as hugely expensive,                    hundred quid for what was a   future, so are the Baby Boomers who are
        multi-disc packages augmented by   mediocre album to begin with), the majority   buying box sets (forgive the alliteration)
        previously unreleased material, lavish books   of the anniversary sets are worthy additions   looking at their inevitable shuffl ing off this
        and facsimile memorabilia like reprinted   to the catalogues of the respective artists   mortal coil. So let these elderly music lovers
        posters, replicas of 7in singles, badges and   rather than desperate cash-ins.   indulge in lavish CD packages, for it’s only
        the like. Sadly, this milking of Hundred Quid   In nearly every case, the right expert is   a matter of time before they purchase the
        Man is not so ironic: it’s a tad cynical   chosen to curate the project, and the artists   last boxes they’ll ever need.
        Jan Issue                              EXCLUSIVE TESTS:              PLUS:
                                               î Franco Serblin Accordo Essence speakers î Vintage Review: Technics SB-7000 loudspeakers
                                                                             î Investigation: Your guide to the ‘World of Jazz’
                                               î Matrix Audio Element X network DAC
                                        th
        on sale              18         DEC    î Mark Levinson N 5105 turntable  î Behind the scenes: Rockfi eld Studios, Monmouth
                                                            o
                                               î Line Magnetic LM-341A tube integrated î From The Vault: We crack open HFN’s archive
                                               î Rotel ‘Tribute’ CD11/A11 CD player/amp î Vinyl Icon: Simple Minds’ New Gold Dream



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