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replacing physical music media, the   stage with a Primare R32 [HFN Jan ’12],   ABOVE: The polished wooden cabinet is a
         Vouvray’s shunning of all things digital   the character of the French fancy shone   blast from the past but sets off the illuminated
         could be perceived as a bit of a howler.   through with an immediately engaging   ‘VU’ meters, partially exposed triode tubes and
         Yet, I’m not sure it is. The whole ethos and   sound free from overt character or bias.   chunky rotaries to grand ‘retro’ effect
         design of this gorgeous hybrid makes it a   Given the tubes on show I was expecting
         timeless ‘keeper’ against an ever-evolving   something altogether more colourful, yet   Vouvray it only served to solidify Kate’s
         digital landscape. Simply                        Kate’s pitch and timbre   voice, lending it a believable three-
         get a good streamer and   ‘I was dealt           on ‘And Dream Of Sheep’   dimensional quality, albeit constrained
         hook it up to the Vouvray’s                      was natural and accurate   between the left and right speakers.
         line level input. In a few   yellow cards        with a rich, breathy    Importantly, the Vouvray’s phono
         years’ time, when the                            quality that effortlessly   stage does not disappoint, with the amp’s
         streamer will be looking   from the spousal      scaled with her high   even-handed and musical presentation
         long of tooth and lacking   noise police’        notes on the track.   remaining intact. Sure, my costlier
         current features, this amp                         Imaging in the centre   outboard R32 offered a little more sparkle
         will serve you just as well                      of the soundstage     at the top and a more dynamic midband
         for the next gen of digital player and quite   was particularly strong, with pin-point   against the Vouvray’s weightier and slightly
         possibly a few generations beyond.  positioning of instruments and vocals   thicker presentation, but even comparing
                                            between the speakers. While I have heard   the two favourably is a nod to the quality
             STRIKING IT RICH               wider and more spacious presentations,   of the built-in eq stage. You’ll have to dig
         Thankfully none of that really mattered as   the rock-solid central presence and   deeper in the purse to make an effective
         I carefully placed Kate Bush’s Hounds Of   enviable front-back depth more than made   MM upgrade, but those with a penchant
         Love [EMI 062-24 0384 1] on my Michell   up for any limitations in sheer airy scale.  for MCs will need extra kit from the outset.
         Orbe turntable [HFN Mar ’03] and lowered   The multitrack vocal and distinct right/
         the SME/Goldring combination into place.   left channel separation of ‘Under Ice’ can   SOLID PUNCH
         Bypassing the Vouvray’s on-board phono   easily sound a little thin, but with the   There was some irony in that my streamer
                                                                                needed a firmware update and the fi ckle

           FRENCH CONNECTION                                                    Antelope Audio Zodiac DAC [HFN Feb
                                                                                ’15] needed rebooting before I could get
           Supravox is one of France’s most venerable audio brands with members of the   either to work. Yet the combination of
           founding Dorliac family developing drivers for radios in the 1930s and full-range   components here is far from a sonic culture
           AlNiCo transducers in the 1940s. The Supravox brand was formally registered   clash. From the outset, the Vouvray does
           in 1956 by Madame Dorliac when the company began supplying drivers for the   a superb job of turning streamed hi-res
           growing TV market. That led to RTF (Radio Télévision Française) commissioning   audio into the same eminently enjoyable,
           Supravox to develop drivers for its recording studios, and in 1964 the 215mm   musically engaging and foot-tapping
           RTF64 was born. This found favour with DIY’ers of the day and was also used in   experience that it does with vinyl.
           Elipson’s famous spherical BS50 speaker with its shell-like acoustic refl ectors.  There’s no hint of sluggishness, with
             After a change of ownership in the late 1970s, the brand produced its own   plenty of dynamic power and a rather
           audiophile loudspeakers while continuing to advance its portfolio of full-range   lush top end that manages to dance the


           drivers. However, as the hi-fi market moved firmly into two-way and three-way   fine line of extension and clarity without

           designs, Supravox fell into a fallow period. Fast forward to 2017 when a cash   becoming brittle. This is one of those

           injection from new owners Akylis Capital reinvigorated the brand, resulting in   amplifiers that makes it easy to stop
           Supravox’s current lineup of loudspeakers, drivers, speaker kits and its fi rst foray   analysing and, instead, lets you immerse
           into electronics, the Vouvray integrated amplifi er.                  yourself in the tune rather than the sonic
                                                                                machinations of the system as a whole.

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