Page 105 - E-book-การวิเคราะห์ทัศนศิลป์
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                  â´ÂÀÒ3⁄41⁄4ŧÒ1¡ÒÃÊÌҧÊÃä àμçÁä»´ŒÇ¨Ô1μ1Ò¡Ò÷Õè໚11ÒÁ¸ÃÃÁ¶‹Ò·ʹ¤ÇÒÁÃÙŒÊÖ¡ÀÒÂã1ãËŒ àËÅ×Íá실ÇÒÁàÃÕÂo§‹ÒÂáÅÐá¡‹1á·Œ¢Í§ÊÔè§1Ñé1·ÕèÈÔÅ»1´ŒÇ¡ÒÃ1ÓàÊ1Í໚1¨Ô1μÀÒ3⁄4·Õèà¡Ô´¤ÇÒÁ໚1 àÍ¡ÀÒ3⁄4¡ÅÁ¡Å×1¡Ñ1ã11⁄4ŧÒ1¨ÔμáÃÃÁ (ÀÒ3⁄4·Õè 6.26)
ÀÒ3⁄4·Õè 6.26 ᨍ¤ÊÑ1 3⁄4ÍÅÅçͤ (Jackson Pollock) ¤.È. 1950 “Ë1Ö觔 (one) ÊÕ1éÓÁÑ1o11⁄4ŒÒão 110 X 211 1ÔéÇ
  ÀÒ3⁄4·Õè 6.27
ÁÒϤ â·ào (Mark Tobey) ¤.È. 1944 “àÁ×ͧ·ÕèÊÇ‹Ò§âaμÔa‹Ç§” “Radiant City” ÊÕ1éÓÁÑ1o11⁄4ŒÒão 14 X 19 1ÔéÇ
 ÀÒ3⁄4·Õè 6.28
ÎÒ1ʏ ÎÒÏμا (Hans Hartung) ¤.È.!951 “¨Ñ§ËÇТͧàÊŒ1” “T 1951-12”
38 X 57 1
 97
     


























































































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