Page 106 - E-book-การวิเคราะห์ทัศนศิลป์

3.2 ÈÔÅ»Ð1ÒÁ¸ÃÃÁ·ÕèãaŒàÊŒ1໚1ËÅÑ¡
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3.3 ÈÔÅ»Ð1ÒÁ¸ÃÃÁ·Õèã«ŒÊÕ໚1ËÅÑ¡
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ÊÌҧÊÃäà3⁄4×èÍ´Ö§´Ù´μ1àͧáÅÐ1⁄4ÙŒaÁãˌࢌÒä»ÊÙ‹ã1âÅ¡ áË‹§ÊÕÊÑ1áÅШÔμÇÔÞÞÒ3ÀÒÂã1 ´Ñ§1Ñé1ã11⁄4ŧÒ1¢Í§ Ã͸⡠¨ÐÁàÕ ÃÍè× §ÃÒÇã1μÇÑ àͧ äÁË‹ 嫯 1§èÖ «§èÖ Á1Õ ÇÑ ¨Ô ÒÃ3 ¡ÅÒ‹ÇäÇnjҋ “1⁄4ŧÒ1¢Í§Ã͸â¡àÊÁÍ×1¡oÑÅÁ·3⁄4èÕ¡ÑàÍÍè×Âà©Íè× 1⁄4‹Ò1·ÐàÅ·ÃÒÂÍ‹ҧ͌ÍÂÍÔè§ à»š1ÈÔÅ»ÐÍÑ1àμçÁä»´ŒÇ ¤ÇÒÁoÃÔÊØ·¸ÔìÂÔè§ ÀÒ3⁄4¢Í§à¢ÒáÊ´§¤ÇÒÁàËÒÃŒÍ1 áμ‹ à»Å‹Ò‹Òà»ÅÕèÂÕèÂÇ” (ÀÒ3⁄4·ÕèÕè 6.29)
ÀÒ3⁄4·Õè 6.29
ÁÒϤ Ã͸⡠(Mark Rothko) ¤.È. 1950 “äÁ‹ÁÕa×èÍ” (Untitled) ÊÕ1éÓÁÑ1o11⁄4ŒÒão
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