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ÀÒ3⁄4·Õè 6.9
»áÍà ÍÍ¡ØÊμ àÃÍ1ÑÇÃ
(Pierre Auguste Renoir)
¤.È. 1841-1919 “¡ÒÃàÅÕé§ÍÒËÒáÅÒ§ÇÑ1o1àÃ×Í” (Luncheon of the Boating Party) ÊÕ1éÓÁÑ1o11⁄4ŒÒão
ÀÒ3⁄4·Õè 6.10
â¤Å´ âÁà1μ (Claude Monet) ¤.È. 1874 “ÊÐ3⁄4Ò1ö俷ÕèÍÒèͧàμ” (Railway Bridge at Argentuil) ÊÕ1éÓÁÑ1o11⁄4ŒÒão
â¤Å´ âÁà1μ ÁÇÕ ¸Ô ¡Õ ÒÃÊÃÒŒ §ÊÃä1⁄4 ŧÒ1¨μÔ Ã¡ÃÃÁâ´Â¨Ðä»à1⁄2Ò‡ ´ÈÙ ¡Ö ÉÒáʧ 椄 à¡μ´¡Ù ÒÃá»Ã1⁄41Ñ ¢Í§áʧ·ÕèÁÕμ‹ÍÍÒÃÁ3¤ÇÒÁÃÙŒÊÖ¡¡ÒÃÃÑoÃÙŒ Ê‹§1⁄4Åμ‹ÍoÃÃÂÒ¡ÒÈã11⁄4ŧÒ1 «Ö觨ÐμŒÍ§ä»ÃÑoÃÙŒÀÒ3⁄4¨Ò¡ ʶÒ1·Õè¨ÃÔ§ ãËŒ¤ÇÒÁÊ1ã¨ã1àÃ×èͧáʧ ÊÕ à·¤1Ô¤ ¡ÒÃãaŒÊÕ·ÕèÁÕ¤ÇÒÁÊÇ‹Ò§´Ñ§áʧÍÒ·Ôμ «Öè§äÁ‹ä´Œ ÁÒ¨Ò¡¡ÒÃ1⁄4ÊÁÊÕáooÊÓàÃç¨ÃÙ»ã1¨Ò1ÊÕËÃ×ͤ‹ÍÂæ à¡ÅÕèÂࢌҴŒÇ¡Ñ1 ËÒ¡áμ‹3⁄4Ô¨ÒÃ3Ò¶Ö§ÃÍÂáμŒÁ ¢Í§ÊÕ·ÕèoÃÔÊØ·¸Ôì ãËŒ¤ÇÒÁÊÓ¤Ñޢͧ¤Ù‹ÊÕ»¯Ô»˜¡É ãËŒ¤ÇÒÁÊÓ¤ÑޢͧÊÕ¡Ç‹ÒÃÙ»·Ã§¤ÅŒÒ¡ÑoÇ‹ÒáʧÊÕä´Œ Ë‹ÍËØŒÁ¡‹ÍÊÌҧÃÙ»ÇÑμ¶ØÁÒ¡¡Ç‹Ò ¨Ð໚1ÃÙ»·Ã§¢Í§ÇÑμ¶Ø «Öè§Áͧ´ÙÃÐÂÐã¡ÅŒ¨ÐàËç1ÃÍÂáμŒÁÃÐÂÔo ÃÐÂÑo ໚1ÃÍ·Õá»Ã§»Ò‡ ÂÍÂÒ‹ §Ê1¡Ø Ê1Ò1 3⁄4ͶÍÂËÒ‹ §¨Ò¡ÀÒ3⁄4¨ÐàË1ç ¡ÒÃ1⁄4ÊÁ1⁄4ÊÒ1¡1Ñ ¢Í§ÃÍ·áÕ »Ã§ áÅÐÊÍÕÂÒ‹§¡ÅÁ¡Å1ס1Ñ «Öè§à»š1¤ÇÒÁμŒÍ§¡ÒÃãËŒà¡Ô´¡ÒÃ1⁄4ÊÁ1⁄4ÊÒ1¢Í§ÊÕ´ŒÇÂμҢͧ1⁄4ÙŒaÁ1⁄4ÊÁ ¡Ñ1àͧã11⁄4×11⁄4ŒÒão â´Âà1Œ1¡ÒÃáÊ´§ÍÍ¡¢Í§ÊáÕ ÅÐáʧ â´ÂÀÒ3⁄4àÃÍè× §ÃÒÇà´ÂÕ Ç¡1Ñ áμÁ‹ oÕ ÃÃÂÒ¡ÒÈμÒ‹ § ¡1Ñ «§èÖ à»1š ÈÅÔ »1 ·ÊèÕ ÃÒŒ §ÊÃä1⁄4 ŧÒ1ÅÑ¡É3Ð1Õéä´Œ´Õ áÊ´§¡ÒÃá»Ã1⁄4Ñ1¢Í§ÍÒÃÁ3¢Í§áʧÊÕã1àÇÅÒ μ‹Ò§¡Ñ1 áÅÐÄ´Ù¡ÒÅμ‹Ò§¡Ñ1(ÀÒ3⁄4·Õè 4.10)
¡ÒÃ3⁄42Ñ 1Ò1⁄4ŧÒ1¨μÔ Ã¡ÃÃÁáoo1âÕ Í ÍÁÔ à3⁄4ÃÊa1èÑ 1ÊÔ Á (Neo-lmpressionism) à»1š Ç¸Ô ¡Õ ÒÃà¢ÂÕ 1 ÀÒ3⁄4μÒÁ·Äɮշҧ¿ÊÔ¡Ê áÅÐÃÙ»¡Ño3⁄4×é1μÒÁ·ÑÈ1Тͧ¡ÒÃàËç1¢Í§ÈÔÅ»1ÂؤãËÁ‹ àÃ×èͧ¢Í§áʧ 1Ñ¡ÇÔ·ÂÒÈÒÊμÃä´Œ¡ÓË1´·ÄÉ®ÕäÇŒ 2 ·ÄÉ®Õ ¤×Í áʧ໚13⁄4Åѧ§Ò1áÅÐáç໚1Í1ØÀÒ¤ (Radiant Energy and Corpuscle) ÈÅÔ »1 ¡ÅÁ‹Ø 1àéÕ aÍè× ÇÒ‹ áʧà»1š Í1ÀØ Ò¤ ´§Ñ 11éÑ ¨§Ö ä´ÅŒ ´ÊÇ‹ 1ÊÓ¤ÞÑ ¢Í§Ã»Ù ÃÒ‹ § È¡Ö ÉÒáʧà§ÒáÅÐÃÐoÒÂÊ¢Õ Í§áʧà§Òà»1š ¨´Ø àÅ¡ç æ ·ÇèÑ ·§éÑ ÀÒ3⁄4¡Òè´Ñ ÀÒ3⁄4·Óã˧Œ Ò‹ Âà¢ÒŒ â´ÂÅ´ÃÒÂÅÐàÍÂÕ ´ Í×è1æ ·ÕèàËç1Ç‹ÒÁÕ¤ÇÒÁÊÓ¤ÑÞ1ŒÍÂŧ Ê1ã¨áμ‹â¤Ã§ÊÌҧʋÇ1ãËÞ‹¡ÑoáʧáÅÐà§Òà·‹Ò1Ñé1 ÊÓËÃÑo¡Òà ÃÐoÒÂÊըشàÅç¡æ ·ÑèÇ·Ñé§ÀÒ3⁄4 àÃÕ¡ÇÔ¸Õ¡ÒÃ1ÕéÇ‹Ò ÅÑ·¸Ô¨Ø´ÊÕ (Pointillism)
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