Page 165 - The Art & Architecture of the Ancient Orient_Neat
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PART TWO:
                                                          THE PERIPHERAL regions
                                       Cultures (Plate 34), but also by Sargon of Akkad
                                                                                      on liis stele of victory,
                           ^ fy/'vl ”he r*ght hand holds a mace; the head i
                         r\   ||k*i featureless.                              IS so  badly damaged as to be
                         Mm ,0l,1C °f ^ tW? StclcS is suPP°scd to show a figure standing on a bull,
                                      r \WOU, 1 atC.a godl and bc a dcviati011 froni Early Dynastic
                         01 1 1 1 || f gCj jUt t le assumPtlon rests on a reconstruction which is insufficiently
                          Kflrlj  founded- lt was worked on both sides, and this is also true of the stele
                         TTWf y  we mustrate in figure 59. Tliis is eleven and a half feet high, thirty-four
                          vOrfM mdleS wide’ and twenty“eig]lt inc,lcs thick. Its main design shows a huge
                                      fig111’0 in the tasscllcd robe described above, holding a mace or battle-axe
                         V               °nC ^aild* ^la^1 *s k°und up in a chignon at the back of the head,
                                      another feature which connects the stele with pre-Sargonid and Sargonid
                              vl'fr'tfg Mesopotamia. But the cap shown on the stele points to the age of Sargon,
                                      for it frequently occurs on Sargonid seals and never in the Early Dynastic
                                      Period. A ground-line separates the main figure from a subsidiary com­
                          Figure 59.   partment in which two soldiers, apparently carrying battle-axes, represent
                          Stele, from  the victorious army. This, too, reflects Mesopotamian usage, but the
                        Jebelet cl Bcida grotesque distortion of all the figures is characteristic of the peripheral
                                      regions.
                          With this stele we have completed our survey of Syrian works of sculpture antedating
                        the second millennium b.c.15


                               Egyptian Predominance (2000-1800 b.c.) and Babylonian
                                                Penetration (1800-1700 b.c.)
                       At the opening of the second millennium b.c. the energetic kings of the Egyptian
                       Twelfth Dynasty dominated the Levant. For 1,000 years Egypt had imported timber
                       from the Lebanon, and the port of Byblos had handled these exports. Now, from about
                       2000 to 1800 b.c., some of the finest products of Egyptian craftsmanship entered Syria.
                       Many of these came from the royal workshops, and one  wonders whedier some sort of
                       Egyptian overlordship was acknowledged in the various places - Megiddo, Byblos, Ras
                       Shamra, and even Qatna, inland - where royal sphinxes, jewellery inscribed with
                       Pharaoh’s name, and statues of high officials have been discovered. It has been argued
                       that these officials were Resident High Commissioners and Envoys,16 but we have no
                       records of Asiatic campaigns such as the New Kingdom has left us, and it must also be
                       remembered that in Egypt foreign trade was a prerogative of the government carried on
                       under the fiction that the importations constituted tribute due to Pharaoh as Lord of A ,
                       and that the price paid was a spontaneous gift made by him to loyal vassals. The presence
                       of hieh Egyptian officials and the sending of royal gifts do not, therefore, prove an actu
                       tiolitical suzerainty of Egypt over the Syrian ports. However this may be, die local rulers
                      of the Levant became possessed of exquisite works of art, and although Syrian wor s o
                       Sod are comparatively rare, they do show that the Syrian craftsmen responded to
                      Ae stimulus of these imports. They did so in a fashion which was to remain characte -

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