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I-Ienri Frankfort died on 15 July 1954• His sudden ill-
                 ness  and his death made it impossible for him to see this volume
                 through the press. However, so exacting had been his scholar­

                 ship and so intense his enthusiasm that no alterations of any im­
                 portance can have been necessary. What had to be done was
                                                                                                        !
                 done as an act of friendship by Miss Rachel Levy, to whom I
                 wish to express my gratitude.
                                                                                                        I 1
                    Professor Frankfort, whom I first met when he was still at
                 the Oriental Institute in Chicago, had been working on this book
                from 1947 to 1953. Co-operation on its later phases was sim­

                 pler, as he was then Director of the Warburg Institute of the
                 University of London. The fact that he, an orientalist, had been
                 chosen as head of this Institute, which is devoted to post-graduate

                 research in the history of art, shows at once what was most ex­
                 ceptional in his attitude to his subject. He did not approach it

                 as an antiquarian, although fully equipped to do so and although
                 his experience ranged from field work to philosophy. His great­
                 est love was the work of art for its own sake, and he regarded it
                 as his task-as indeed the present book fully proves-to present

                 oriental art as art, and not as archaeological evidence. It is not
                for me here to express my warm feeling and my admiration for
                 him. May this volume of the Pelican History of Art be accepted

                 as a monument to him as a man and a scholar.


                                                           THE EDITOR
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