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Nymans had been through two transformations. From the outset Ludwig and Annie Messel
                                                                                      in 1890 purchased an early Victorian house along with 600 acres of woodland and farmland.
                                                                                      The Messel’s set about making alterations and additions to their country home. It was
                                                                                      through Ludwig’s passion for collecting art and antiques, and developed friendships with
                                                                                      leading artists and musicians that lead to the marriage of Maud to Ludwig’s son Leonard.
                                                                                      Maud was the daughter of Edward Linley Sambourne , then cartoonist for the Punch Maga-
                                                                                      zine. When Ludwig died in 1915, Leonard inherited Nymans. Leonard persuaded Maud to
                                                                                      move into Nymans from their nearby property of Balcombe House, on the proviso that he
                                                                                      would make radical changes.
                                                                                      The house as seen today is the remnants of their home. For Maud, coming from an artistic
                                                                                      family and social circles in London felt a home should be full of charm and romance. The
                                                                                      radical change came in the form of a completely new house styled as a late Medieval manor.
                                                                                      After first engaging the distinguished architect Norman Evill to create a romantic idealised
                                                                                      country house, Leonard and Maud then commissioned the renowned church architect Sir
                                                                                      Walter Tapper. Maud had researched the style she wanted from existing properties for inspi-
                                                                                      ration including Great Chalfield Manor in Wiltshire and Brede Place in Sussex. It took five
                                                                                      years to realise its completion. Maud and Leonard were passionate gardeners and further
                                                                                      developed the gardens initially created by Ludwig, Annie and their daughter Muriel. Advice
                                                                                      was given by the nearby estates of Gravetye Manor and High Beeches. The Forecourt and
                                                                                      Knot Gardens were principally designed by Maud, whilst Leonard developed other areas of
                                                                                      the gardens.
                                                                                      The chosen time of day for this composition was mid to late morning, wherein the light di-
                                                                                      rection accentuates what had become a romantic ruined house, gutted by fire on the 19th
                                                                                      February 1947. The windows now empty of glass and frames, along with the stone and brick
                                                                                      structure, take on the semblance of a past romantic age, a dream of the past, especially when
                                                                                      the building is softened by nature and weathering. By an ironic outcome such an ambience
                                                                                      was desired by Maud and Leonard Messel when they were planning their ideal home.





                                                                                       139385    The Forecourt Garden
                                                                                                401/8 601/16 inches -o/c
           Nymans, West Sussex.
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