Page 30 - CSIV n 3 ENG version
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A Prior of Sion in
the Cathedral dedicated to an entire pictorial cycle and a
chapel of the most sumptuous ever made, that
of the Blessed Sacrament.
by Fabrizio Loffi
The representation of the Last Supper seems
even stronger than the famous fresco by
Leonardo da Vinci in Milan. Firstly, we have
a picture in which John undoubtedly is a
woman, it is enough to observe these images
to remove any form of doubt: the face is
feminine, the features are sweet and frame a
woman, even particularly beautiful. And so
far, there is no doubt.
But here we are in front of something more.
The Last Supper is located inside the chapel
of the Blessed Sacrament in which all the
salient moments of Mary Magdalene's life are
represented, including the Last Supper. The
other incredible fact is that, as if they were
cartoons of a comic, the woman is always the
same. The scenes of the chapel are: The Noli
me Tangere, the adulteress, the washing of the
The chapel of the body of Christ in the
Cathedral of Cremona would retrace the story
of Mary Magdalene to take the same
dedication: the figure of the woman
constitutes the Fil rouge that binds works also
temporally distant between them as the two
canvases of Giulio Campi depicting "The
Magdalene at the feet of Jesus" of 1569 and
"The Last Supper" of the previous year and
"The Apparition of Christ to the Magdalene"
by Giovanni Angelo Borroni of 1750. But
there is more: the same John of the Last
Supper, with his feminine likeness, asleep on feet, the Last Supper. In all these four
the arm of Christ, it would be still her, the paintings the protagonist is only one: Mary
Magdalene, the true "cup" of the Blood of Magdalene. She is washing the feet, it is the
Christ, as bride and mother of her children. A same in the adulteress, the same in the " Do
story as old as the world, repeatedly not touch me ", it is the same in the Last
foreshadowed or left to guess, that the church Supper.
has always resolutely refused. In the
Cathedral of Cremona, the controversial Not just the same features, but almost even
figure of Mary Magdalene, instead, would be the same clothes. What about in front of a