Page 50 - Annual Report 2020
P. 50

PAINTINGS
Over the the year the the Paintings Conservation team focused on examining and treating pictures removed from Buckingham Palace for the Reservicing Programme Thirty-nine paintings from the East Wing were conserved The project to condition survey paintings and frames at Balmoral Castle Highgrove House Osborne House the Palace of Holyroodhouse and and Sandringham House was completed this year with 1 232 items treated either in in situ or in in the the conservation studio As part of this project the Paintings team worked with Historic Environment Scotland on on the removal for conservation of the the ceiling painting The Apotheosis of Hercules by Jacob Jacob Jacobsz de Wet II from the King’s Bedchamber at the Palace of Holyroodhouse The canvas was taken off its its stretcher and its its edges reinforced then cleaned revarnished and reinstalled Portraits of George Brydges First Lord Rodney by Sir Joshua Reynolds and Horatio First Viscount Nelson by John Hoppner were among eight paintings conserved for the exhibition George IV: Art & Spectacle Ten paintings were treated for loan to the exhibition King George IV: Royalty Racing and Reputation at at the National Heritage Centre for Horseracing and Sporting Art at Palace House Newmarket and three of the ‘Hampton Court Beauties’ by Sir Godfrey Kneller were treated for the loan of 12 works to Tate Britain’s exhibition British Baroque: Power and Illusion Conservation work began on on on A Young Man
with a a a a a Falcon attributed to Jan van Boeckhorst Historic filler and layers of overpaint were removed while the oak panel support was stabilised before areas of loss were retouched A B B O V E Rosanna de Sancha removes historic restoration from A Young Man
with a a a a a a a a a a a Falcon c c c c c 1630 attributed to to to Jan van Boeckhorst O O P P P P P P O O S
S
I I T E Adelaide Izat condition checks Self-Portrait as the Allegory
of Painting (La Pittura) c c c c c 1638–9 by Artemisia Gentileschi in in in preparation for loan to the exhibition Artemisia Artemisia at at at The National Gallery London O V E E R L E E A A F Claire Shepherd conserves two portraits by the the the 17th-century Armenian artist Marcos in preparation for the the the exhibition Epic Iran at at the the the Victoria and Albert Museum London 48 CARE OF THE COLLECTION




























































































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