Page 124 - Bonhams Fine Japanese Art London Nov. 2019
P. 124

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           179 (part lot)            179                       179

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           UTAGAWA KUNIYOSHI (1797–1861)                     KATSUKAWA SHUNSHO (1762-1792), UTAGAWA TOYOKUNI
           AND UTAGAWA HIROSHIGE (1797-1858)                 (1769–1825), UTAGAWA HIROSHIGE (1797-1858), HOSODA EISHI
           Edo period (1615-1868), mid-19th century          (1756–1829), KATSUSHIKA HOKUSAI (1760-1849)
           Nine oban prints: four by Kuniyoshi comprising, two prints of no.11,   AND OTHERS
           Okano Ginemon Kanehide and no.43, Yazama Kihei Mitsunobu,   Edo period (1615-1868), late 18th to mid-19th century
           respectively, from the series Seichu gishiden (Stories of the True Loyalty of  Nine prints of various formats: the first a hosoban kabuki-e by Shunsho,
           the Faithful Samurai), published by Ebiya Rinnosuke; the third of Udaisho   depicting a standing kabuki actor; the second an oban by Hiroshige of
           Michitsuna no Haha (Michitsuna’s Mother) from the series Hyakunin isshu   Act VI from the series Chushingura (The Storehouse of Loyal Retainers);
           (100 Poems by 100 Poets), published by Ebisu; the fourth the right-  the third an oban by Toyokuni of Act V from the series Uki-e Chushingura
           hand sheet from a triptych of Mizu: Ukifune (Water: Ukifune) from the   (Perspective Pictures of the Storehouse of Loyal Retainers); the fourth a
           series Mitate gogyo (Comparisons for the Five Elements), published by   chuban bijinga by Eishi depicting two ladies by Shinobazu Pond; the fifth
           Sanoya Kihei, all signed Ichiyusai Kuniyoshi ga; the rest (fifth to ninth) by   an oban by Eizan depicting a standing courtesan from the series Seiro
           Hiroshige, comprising Nihonbashi yukibare no asa (Clear Morning after   bijin zoroi (Collection of Beauties of the Green Houses); the sixth an oban
           Snow at Nihonbashi Bridge) from the series Edo meisho (Famous Places   by Kuniyasu, depicting the courtesan Yosooi of the Matsubaya from
           in Edo), published by Fujioka Keijiro; Kanda Myojin keidai chobo (View   the series Shin Yoshiwara zensei kagami (A Mirror of the Prosperity of
           from the Precinct of Kanda Myojin), probably from the series Toto meisho   the New Yoshiwara); the rest (seventh to ninth) by Hokusai, three koban
           (Famous Places in the Eastern Capital), published by Maruya Seijiro;   yoko-e prints from the untitled series Tokaido gojusantsugi (53 Stations
           two prints of Nihonbashi no hakuu (Shower on Nihonbashi Bridge) and   on the Tokaido Road), circa 1804-1805, comprising Fukuroi, Futagawa
           Masaki yukibare no zu (Clearing Weather after Snowfall at Masaki) from   and Yokkaichi, the Fukuroi with three kyoka poems, all without publisher’s
           the series Toto meisho (Famous Places in the Eastern Capital), published   seal; all variously signed; some mounted on card and two mounted on
           by Sanoya Kihei; Fukagawa Tomioka Hachiman (Tomigaoka Hachiman   paper. The smallest: 11.7cm x 16.5cm (4 5/8in x 6½in);
           Shrine at Fukagawa) from the series Edo meisho (Famous Places in Edo),  the largest: 39.5cm x 26.5cm (15½in x 10 3/8in). (9).
           originally published by Sanoya Kihei (publisher’s seal missing), all signed
           Hiroshige ga; some mounted on card.               £1,000 - 1,500
           The smallest: 23cm x 35cm (9in x 13¼in);          JPY130,000 - 200,000
           the largest: 37.5cm x 26cm (14¾in x 10¼in) (9).   US$1,200 - 1,900

           £1,200 - 1,800
           JPY160,000 - 240,000
           US$1,500 - 2,200

                                                    For details of the charges payable in addition to the final Hammer Price of each Lot
           122  |  BONHAMS                          please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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