Page 19 - Bonhams Fine Japanese Art London Nov. 2019
P. 19

44  *
           A YAMIMAKI-E (BLACK-ON-BLACK) LACQUER
           THREE-CASE INRO
           Attributed to Uemura Enshu (born 1955), Showa (1926-1989)
           or Heisei (1989-2019) era, late 20th/early 21st century
           The broad rectangular body with a rich roiro ground, lacquered in
           black relief with crows in flight, their wings overlapping, the interior
           lacquered on both sides with an egret in gold takamaki-e on a rich
           nashiji ground, inscribed on the base in black relief Karyobin; with
           a wood storage box. 8.2cm (3¼in) high. (2).
           £2,500 - 3,500
           JPY330,000 - 460,000
           US$3,100 - 4,300
           45
           A BLACK-LACQUER FIVE-CASE INRO
           By Koma Bunsai, Edo period (1615-1868), mid-19th century
           Of upright form, the rich roiro ground lacquered with scattered
           maru-ni-mitsugashiwa mon of the Makino family of Tanabe among
           scattered formal flowerheads, in gold takamaki-e and zogan-nuri,
           the interior of nashiji with kinji edges, signed in a red gourd-
           shaped reserve Bunsai; with a gilt metal and enamel filigree ojime;
           unsigned. 9.5cm (3¾in) high.
           £7,000 - 9,000
           JPY920,000 - 1,200,000
           US$8,600 - 11,000
           Provenance:
           Edward Gilbertson Collection.
           R. A. Pfungst Collection.
           Demaree and Dorothy Bess Collection.
           Charles A. Greenfield Collection, no.205.                46
           Sold at Eskenazi Ltd., London, 1990.
           Edward Wrangham Collection, no.2001.

           Published:
           Harold P. Stern, The Magnificent Three, Lacquer, Netsuke
           and Tsuba, New York, Japan Society, 1972, inro no.30.
           A. J. Pekarik, Japanese Lacquer, 1600-1900, New York,
           The Metropolitan Museum of Art, 1980, no.45.
           E. A. Wrangham, The Index of Inro Artists, Harehope,
           Northumberland, 1995, p.32, Bunsai, Koma, right.

           Exhibited:
           The Burlington Fine Arts Club, London, 1894, case XIII, no.31A.
           Japan Society Gallery, New York, 1972.
           Metropolitan Museum of Art, New York, 1980.

           The technique used on the smaller mon is zogan-nuri,
           which simulates cloisonné enamel by applying fine gold
           or silver wire.

           46  Y Ф
           A LACQUERED BAMBOO INRO WITH ENSUITE
           LACQUERED BAMBOO HAKO-NETSUKE AND OJIME
           Edo period (1615-1868) or Meiji era (1868-1912), 19th century
           Lacquered in gold takamaki-e on either side with a variety of
           shells including murasakigai (mussels), sazae (turban shell), shijimi
           (basket clams), awabi (alabone) and a hitode (starfish) among
           seaweed, a sliding panel on the side revealing five small ivory
           drawers and knops, unsigned; with a bamboo hako-netsuke and
           a hexagonal bamboo ojime lacquered in a similar manner with
           assorted shells. The inro: 7.9cm (3 1/8in).
           £1,500 - 2,000
           JPY200,000 - 260,000
           US$1,900 - 2,500
                                                                    (reverse)


           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  17
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