Page 45 - Bonhams Fine Japanese Art London Nov. 2019
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           73  *
           A BLACK-AND-GOLD LACQUER LARGE TRAY
           Heisei era (1989-2019), late 20th century
           Of standard form, the rectangular tray with upward-curving sides and
           angled corners supported on four cabriole legs, the entire surface covered
           in polished black roiro lacquer and decorated chiefly in gold takamaki-e
           with 24 chidori (plovers) flying over waves; clouds above; the exterior
           with floral motifs of the four seasons in gold and aokin takamaki-e with
           gold hirame, the underside finished in fine hirame; unsigned; with a wood
           storage box. 18cm x 61cm x 41cm (7 1/8in x 24 1/8in x 16 1/8in). (2).
           £1,500 - 2,000
           JPY200,000 - 260,000
           US$1,900 - 2,500
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           A BLACK LACQUER TACHIKAKE (SWORD STAND)
           By Uematsu Hobi (1872-1933), Taisho (1912-1926)
           or Showa (1926-1989) era, first half of the 20th century
           Raised on four bracket feet with a rectangular base with indented corners
           and fitted with a serpentine-shaped neck terminating in a heart-shaped
           support, all decorated in gold takamaki-e with stylized flowers, the base
           signed in gold lacquer Hobi saku (Made by Hobi); with a wood storage box.
           61cm (24in) high. (2).
           £1,500 - 2,000
           JPY200,000 - 260,000
           US$1,900 - 2,500

           Born in Tokyo the first son of the maki-e artist Uematsu Homin
           (1846-1899), Uematsu Hobi studied the technique of maki-e from his father
           and design from Kishi Kokei (1839-1922). Celebrated for his sophisticated
           pictorial style and immaculate technique, he is perhaps best known for
           a set of suzuribako and bunko with landscape design shown at the Paris
           Universal Exposition in 1900, but he won awards at numerous subsequent
           exhibitions, including the 8th, 9th, 11th, 13th and 14th Teiten.
           For a work by his pupil Yoshida Junzaburo, please see lot 94.

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           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  43
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