Page 430 - Chinese pottery and porcelain : an account of the potter's art in China from primitive times to the present day
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CHAPTER XV
NINETEENTH CENTURY PORCELAINS
^^Chia ChHng (1796-1820)
THERE is little to distinguish the porcelain of this reign from
that of Ch'ien Lung. The old traditions were followed and
the high standard of technical skill was maintained to a great
extent, though in the absence of original ideas the natural tendency
was towards a gradual decline. The blue and white is a mere echo
of the Ch'ien Lung blue and white, as is shown by a square jar in
the Franks Collection, which bears the date corresponding to 1819.
Another dated specimen in the same collection is a little bowl with
design of the "Eight Ambassadors of the Tribes of Man" mounted
on strange beasts, painted in thin garish blue under a bubbly glaze.
There are well-finished monochromes of the Ch'ien Lung type,
conspicuous among which is an intense brick red (derived from
iron), which has all the depth and solidity of a glaze. The enamelled
wares are in no way inferior to their late Ch'ien Lung models, and
the medallion bowls with engraved enamel grounds are particularly
choice. Plate 132, a richly decorated vase belonging to the Lady
Wantage, illustrates a type common to both periods. The design
of ladies of the harem in an Imperial pleasure ground is carefully
painted in mixed colours and enclosed by rich borders of dark ruby
pink enamel, brocaded with polychrome floral scrolls. Another vase
in the same collection (marked Chia Ch'ing) has a movable inner
lining and pierced outer shell richly enamelled in the same style.
The blue green enamel of the Ch'ien Lung porcelain was freely
used to finish off the base and mouth of the vases of this time.
Bushell ^ describes as a speciality of the Chia Ch'ing period, vases
with elaborate scrollwork of various kinds in underglaze blue enhanced
by a richly gilded background ; and the mark of this reign will be
found on many of the choicer snuff bottles, including those sump-
1 0. C. A., p. 464.
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