Page 127 - Chinese porcelains collected by Mr. and Mrs. Charles P. Taft, Cincinnati, Ohio, by John Getz
P. 127

CHINESE PORCELAINS

low it is unquestionably of the true class. Fine pieces are curiously
modeled and always very trcinsparent, with a glaze inclined to be

crackled.

  A certain characteristic of the true "Lang-yao" is the correct line

finished at the base, showing the white foundation color, glazed and
without any signs of grinding off ; the same remark applies to the upper
rim, which is usually distinguished by a clean glaze, in either an ivory
tint or a crackled celadon that is clearly defined at the edge.

   To produce this color the glaze has to be melted to a perfect fluidity.^
Potters usually cannot prevent it from mnning down so that the neck is

often thin and streaked, and the overrunning glaze at the foot is often
in the form of drops, or even large masses, that must be broken off
in removing the object from the kiln; then it is necessary to grind

the foot dovm evenly, which is never the case in the line objects under

consideration here.

    It should also be stated that the tme pieces of " Lang-yao," or " sang
de boeuf," are usually glazed on the interior as well as underneath the foot
in a greenish tint, like a light celadon, or a crackled rice-colored glaze on

the interior or undemeath may be also noted. The most remarkable pieces

will be found to have possibly a dash of red along with this glazing.

                                      APPLE-CREEN

Among the green variety, in solid colors, the so-called "apple-green," a
translucent glaze with a brown crackle, is of the rarest. The body or

paste is usually of the same texture as the " Lu-lang-yao," and therefore
it has been assumed by authorities that this color was produced at the same
time, and also under the direction of Lang-ting-so ; especially as this color
is enumerated among glazes in the records of King-te-chen. Vide No.

34.

'      has often  been  stated  that  these reds  are  formed different conclusions after their trials,
   It                                                  and it has been suggested that the oxide of gold
                                                       is necessary to produce such a color.
produced from copper alone ; but potters who

have experimented with this color have usually

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