Page 162 - Chinese Porcelain Vol I, Galland
P. 162

130            CHINESE PORCELAIN.

           No. 171. M.  Jaccjuemart  calls  this a  gargoulette,  but  it
        more  probably  is a  cuspiclore.  Gargoulettes  are in use all over
        the East for  cooling water, and are  generally  made more in the
        shape  of a bottle with a handle.
           No. 172.          water-holder.       that      of the
                    Narghili              Being       part
                which contains the water       which the tobacco-
        narghili                       through
        smoke is drawn  by  the smoker.
           Nos. 173, 174. Arab
                              cups.
           No. 175. Persian bowl.





                               COLOURS.

        The          of its hues must ever be one of the chief charms
            brilliancy
        of Chinese  porcelain.  The colour is  applied  in three different
            —
        ways  under the  glaze,  as in blue and white  ; mixed with the
        glaze,  as in celadon  ; over the  glaze,  as in most of the  poly-
        chrome sections, when it  may  be either  plain  or mixed with a
            —
        glaze  in the latter case,  it stands  up  on the surface, and  is
        known as enamel.   The         of             is not
                               history   King-te-chin       very
        lucid on the      of colours, and the Chinese seem to have
                   subject
        worked            slow        to the brilliant        we
               up by very     degrees                pigments
        are accustomed to find on their      At times the
                                    porcelain.           progress
        was even backwards instead of forwards, and the  glazes  in  early
        dates were  probably  of doubtful colours that it was difficult to
        define.
           Unfortunately,  we have little to  guide  us in  arriving  at the
        order in which the Chinese found themselves able
                                                      successfully
        to use the various colours in the decoration of their  or
                                                      porcelain
        the dates of the different discoveries; but it  is now  generally
        conceded that  green,  similar to  jade  in one or more of its
        various shades, was  probably,  in the  shape  of celadon-ware, the
        first  colour  satisfactorily employed  in  the  decoration  of
        porcelain.
           The second      should         fall to blue, but the first
                      place      probably
        distinct mention we    of               shade  is that the
                           get    any particular
                                             "
                                     selected  the blue of the
        Emperor Chin-tsung (954-900)                         sky
        after rain'  as the colour for  china-ware  to be used  in the
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