Page 333 - Chinese Porcelain Vol I, Galland
P. 333

PAINTED IN COLOURS OVER THE GLAZE.                  igj

      in one            There  is no class shows             of
             specimen.                         greater variety
      decoration than the famille rose.  From the  boldly  drawn rose
      verte it  ranges  to the miniature  painting  to be found on the
      eggshell  dishes and  plates.  In  considering  the various sections
                                                "
      of this class, perhaps  we had better  with  rose verte," as
                                      begin
      probably representing  the first use to which this colour was  put
      on its introduction     the
                        during   Yung-ching (1723-1736) period.
                             Rose Verte.
         It no doubt  might  be difficult to find a  piece  in  any  of the
      sections of the rose class without some trace of  green  in the
      decoration, but that fact need not lead to  any confusion, as this
      subdivision is  easily recognized by  its  similarity  to the famille
      verte class, there  being very  little difference between the two
      beyond  the introduction of  pink  either in  place of, or it  may
      be       with the old iron red.  It  is the custom to call
         along
      such       famille rose, because the   in however small a
           pieces                       pink,
      quantity,  is considered to show later  origin  than the famille
      verte, made before the introduction of  pink,  one of the Jesuit
      colours  ; but there are so  many descriptions  of famille rose
      that this is              and  it, therefore, seems advisable
                 very misleading,
      to collect these     into a section
                    pieces             by themselves, under the
      name of rose verte.
         This rose verte section must not be confused with archair
      mandarin.  The        as a rule, are more rounded, and the
                      shapes,
             are dressed in the old    of costume.  The
      figures                     style                 designs
      are bolder than in the rest of the rose     and resemble
                                           family,
      more the famille verte scenes.
         No. 330. A             vase with wide neck and
                     pear-shaped                         cylin-
      drical stand.            inches.  No mark.
                    Height, 8f                    Undoubtedly
      belongs  to the  Yung-ching (1723-1736) period.  This vase is
      decorated with the lotus         and the        Buddhist
                               pattern,         eight
      symbols  in  green  enamel with  other  colours.  Two of the
      symbols  are on the  top part  of the neck, two on the lower,
      each  separated by  a lotus flower, and four on the  body  of the
      vase, with a lotus flower below each.  The lotus  symbol,  un-
                 is not shown in the           but       much
      fortunately,                 photograph,     is  very
      conventionalized, and has fillets like the other seven  symbols.
      Most of the      similar to this      to the famille verte
                 pieces              belong
      class, but this one  is  brought  into the rose verte section  by
                                                       u
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