Page 450 - Chinese Porcelain Vol I, Galland
P. 450

2 4  2         CHINESE PORCELAIN.

                          Japanese Beproductions.
             The  Japanese having acquired  the art of  making porcelain
          from China, it  is but natural that  they  should at times have
          imitated the Chinese
                              styles, particularly  when stimulated to
          do so  by  demand for  Europe.  These  reproductions may  be
          of        and must be        of           on their merits.
            any age,            judged   individually
          As a rule, these       imitations are most successful in the
                        Japanese
          self-coloured  pieces,  and classes where the colour is under the
                as in blue and white and      ware  ; but
          glaze,                        peach           many good
          imitations are to be found in the  polychrome  sections. 16  It is
          not  safe, however, to conclude because a  piece  has  spur-marks
          that it must be of
                          Japanese origin.
                          French Beproductions.
             Mention has been made of the continual              of
                                                    reproduction
          ancient           which went on in                of the
                 porcelains                   China, as also
                  of Chinese          the
          copying            pieces by    Japanese.  Unfortunately,
          no work of this sort would now be         that omitted to
                                           complete
          notice the same  process  which  is  to-day being  carried on in
          Paris and elsewhere.
             In the museum at Sevres, side  by  side in one of the  glass
          show-cases, stand two seven-bordered  eggshell  plates.  The
          attendant informs  you  one is  genuine,  the other a  copy thereof,
          painted  to show the skill of their  artists, and the visitor  is
          invited to   which is which.  This it seems         to do
                    say                             impossible
          merely by looking  at the  plates,  but no  attempt  is made to
                  the back of the      and    that     can see  it  is
          disguise                copy,    by     you
          made of Sevres and not Chinese  porcelain.  On the face of
          the      the colours and        are
              plate               painting    exactly alike, although
                                examined in a north     the      of
          it is said that, carefully               light,   pink
          the  copy  is not  quite  as  bright  as that of the  original.
             What can be done in Sevres can be done  equally  well else-
          where in Paris, and the  copying  of ancient works of art has
          there become a  regular trade, very great  skill  being displayed
          not     in the         of the       but in the         of
              only      painting       pieces,          imitating
          the backs or bases thereof.  To  begin with, the  porcelain  is
             16                            that have been  for Chinese
               The Japanese, knowing the big prices   paid
          peach-bloom  and other  monochromes, have set themselves bard at work to
                                                       — T. J. L.
          obtain results, which have deceived a few inexperienced eyes.
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