Page 147 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York
P. 147

PROPERTY FROM A PRIVATE AMERICAN COLLECTION       PROPERTY FROM A PRIVATE AMERICAN COLLECTION

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           A GEYAO CRACKLED-GLAZED TWO-HANDLED VASE, HU      AN UNDERGLAZE-COPPER-RED AND ENAMELED PORCELAIN
           Underglaze-blue six-character Yongzheng seal mark, late   WATER POT
           Qing Dynasty                                      Kangxi six-character under-glaze-blue mark but later
           Of rectangular section and pear shape, with molded bow-string lines at  The tapering, globular body with short neck and lipped rim, finely
           three points on the body and dividing simple lug handles on the narrow  decorated with two blossoming rose branches rising from the
           sides beneath a lipped rim.                       countersunk base, each bearing a large under-glaze copper-red bloom
           12 1/4in (31.1cm) high                            of deep tone, the supporting branches picked out in a lime-green
                                                             enamel with the leaves in a more turquoise green and all outlined in a
           $2,000 - 4,000                                    black enamel, the base with a Kangxi mark.
                                                             3 1/2in (8.9cm) high
           清晚期 哥窯貫耳壺 《大清雍正年製》款
                                                             $1,800 - 2,500
           For a similar-sized Yongzheng-marked precursor of Ru or Guan-type
           and hu-shape, see Sotheby’s, Hong Kong, 23 October 2005, lot 319.   釉里紅牡丹紋小罐 《大清康熙年製》款

           Compare also to a Yongzheng precursor of this shape covered in a   Kangxi water pots of this type exist in a number of museum
           ge-type glaze, illustrated in The Special Exhibition of K’ang-hsi, Yung-  collections, including one in the Beijing Palace Museum, illustrated
           cheng and Ch’ien-lung Porcelain Ware from the Ch’ing Dynasty in the   in Kangxi Yongzheng Qianlong, Hong Kong, 1989, p. 40, no. 23;
           National Palace Museum, Taipei, 1986, no. 63.     another illustrated by John Ayers in The Baur Collection, vol. IV,
                                                             Geneva, 1974, no. A 539; and in the Percival David Foundation,
           This form of vase reflects the Yongzheng Emperor’s deep interest in   Catalogue, section 3, no. B702.
           archaism. The crackled celadon glaze is the outcome of the attempt to
           reproduce the lustrous glaze found on ge wares made for the Southern
           Song (AD 1127-1279) court, while its shape is modelled after that of
           archaic bronze vessels of the Zhou Dynasty (C.1100-256 BCE).
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