Page 48 - Stone and Bronze, Indian art of the Chola Dynasty, Metropolitan Museum, NYC
P. 48

FIGURE  53
                                                                 Parvati,  c.  970. Height 35  2  in. Uma-Mahesvara
                                                                 temple, Konerirajapuram

                                                            the  Bhogesvari98   (Somaskanda)  Parvati99 at Palla-
                                                                          and
                                                            vanisvaram and to the SitaI0o at  Teruchcherai, assign-
                                                            ing  the same date to all of these. The  similarities,  espe-
                                                            cially  with the Parvati  and the  Sita,  are  striking  indeed
                                                            and extend to details of the  crown, coiffure,  hair orna-
                                                            ment,  jewels,  and  rippling garment  folds.  Eyes  and  eye-
                                                            brows of some of the  images  have been recut so that
                                                            they  do not have the  dreamy expression  of the New
                                                            York Parvati. The  bodies, however, especially  that of
                                                            the Pallavanisvaram  Parvati,  are modeled in the same
                                                            sensitive and  sensuous  way;  the  latter has the  same
                                                            heavy breasts,  the same  gently  accented waist.
                                                              According  to Barrett  these  figures  are coeval with the
                                                            Konerirajapuram (Figure 53)  and Tiruvelvikudi  (Fig-
                                                            ure  54) bronzes,  which can be related to each other and
                                                            to dated  inscriptions  on  the former  temple  (between
                                                            969  and  977).  In  my opinion,  these elaborate and ele-
                                                            gant images  must be at the least a  generation  later than
                                                            the New York Parvati and the bronzes related to it.
                                                              When we look back at the reliefs in  stone,  the first
                                                            images  that come to mind are the  heavenly  maidens on
                                                            the  Nagesvara temple  at  Kumbakonam  (Figures 46,
                                                            47),   where the treatment of the torso is  quite similar,
                                                            although  the  legs  are  longer  and the  figures  in their en-
                                                            tirety  are more slender. We notice the  very long  and
                                                            heavy pendant suspended  from the waistband. On the
                                                            Srinivasanallur relief  (Figure 48)  the treatment of the
                                                            body  is close to that of the New York bronze.
                                                              The  graceful  pose  of the  Durga  Pullamangai (Fig-
                                                                                        at
                                                            ure  43)  is the same as that of the New York  Parvati,  in-
                                                            cluding  the lateral inclination of the head. We  again
                                                            notice the  pipal pendant  with tassels between the  legs,
                                                            below the knees. The  pose  of the  Punjai Durga (Figure
                                                                                                of
                                                            44)  is somewhat  more  formal,  the  modeling  body  and
                                                            limbs less sensitive.

                                                              98.  Barrett,  Cola  Bronzes,  pls. 32-34.
                                                              99.  Barrett, Cola  Bronzes,  pls. 35-36.
                                                               0oo.  Barrett,  Cola  Bronzes,  pl. 44.


                                                                 FIGURE   54
                                                                 Kalyanasundaramurti,  late  x   century.  Height
                                                                 37  in. Manalesvara  temple,  Tiruvelvikudi

            76
   43   44   45   46   47   48   49   50   51