Page 266 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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Egyptian  references  to the mineral (Lucas  1962)  tell of turquoise from  Sinai and mention
            "new" turquoise. This designation  refers  to stone that  has  not  decomposed  with  exposure  to
            light and heat; the value of such "new/' unsullied turquoise would certainly have  been  recog-
            nized. An  example of turquoise that decomposed during burial is found on a chlorite schist ves-
            sel from  Eastern Iran or Bactria, dating from  the early to middle of the third millennium  B.C.E.
            (Meyers 1996). Although  the inlays have  become whitish, X-ray diffraction  analysis  identified
            them  as being originally turquoise in composition. Documented occurrences  of turquoise for
            intaglio or cloisonné work are numerous, although it is not always clear how the  identification
            of  the  mineral  was  confirmed. A  circular belt  ornament  from  the  Western  Han  dynasty
            (206  B.C.E.-24  C.E.), now in the Shumei Family Collection, Japan, is decorated with  hundreds
            of thin polygonal turquoise disks that are contrasted with red carnelian and a bronze patina. In
            the same collection are gold bracelets from the Achaemenid dynasty (525-404 B.C.E.)  of ancient
            Persia  that  have  winged caprid  (goat-shaped)  terminals inlaid  with  cloisonné  work in lapis
            lazuli, carnelian, turquoise, and a vitreous paste (Shumei Foundation 1996).
                                   I  TURQUOISE  ARTIFACTS  FROM  THE  NEW WORLD  One  of
            the precious  objects presented  to the Spanish conquistador Hernán  Cortés when he arrived in
            Mexico in 1519  was a mask made of turquoise mosaic. In the New World, smaller objects, such
            as rings, beads, or pendants,  were carved from  solid turquoise, while larger objects were often
            made of wood covered with turquoise tesserae. Despite an extensive turquoise industry, there is
            an  almost  complete  absence of sources for  the  mineral in ancient  Mesoamerica. Turquoise
            mines were located in the  desert regions of the American Southwest  from  California  to New
            Mexico and in Chihuahua, Mexico. Harbottle and Weigard (1992) analyzed numerous turquoise
            samples from  forty  mines in the American Southwest  and  compared  their elemental profiles
            with  those of two  thousand  samples from  twenty-eight sites in both the  Southwest and Meso-
            america. The research  showed that turquoise from  the  Southwest  traveled not only to central
            Mexico but even to the Yucatan Peninsula. During the classic period in Mexico, around 700,  the
            site of Alta Vista was an important turquoise workshop that used raw material from  mines  at
            Cerrillos in New Mexico. This Cerrillos turquoise has been identified in objects from  the Mexi-
            can states of Sinaloa, Jalisco, and Nayarit (Lambert 1997).
               Turquoise  was  worked closer  to  its  southwestern  sources  during  the  Pueblo  I I  period,
            around  1100,  especially at Chaco Canyon in Arizona. By the mid-thirteenth century, numerous
            new mines had been located in various areas that supplied turquoise not only to craftspeople in
            the Southwest but also to the Aztecs by way of a Pacific coastal trade route  as well  as an inland
            route (Harbottle and Weigard 1992).
               Some light-blue beads were examined from  the first-century  C.E. site of La  Miña, not far
            from  Sipan in the area of Peru occupied by the Moche (Scott 1994b). The X-ray diffraction  data
            showed that the mineral used to make these small beads, originally thought to be turquoise, was,





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