Page 31 - Christie's London China Trade Paintings Kelton Collection
P. 31

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                   WILLIAM ALEXANDER (1767-1816)
                   Chow-Ta-Zhin in his dress of ceremony
                   pencil on paper
                   9æ x 8in. (24.8 x 20.4cm.)
                   £2,000-3,000                                                            US$2,500-3,700
                                                                                             €2,300-3,400

                   PROVENANCE:
                   The family of the artist.
                   A study for the full length drawings of one of the two Chinese oficials who managed the itinerary of Lord Macartney's Embassy:
                   'The expense incurred by their attendance on the Embassy was considerable, but ... it chiefy fell upon Chou who was very rich and
                   well able to bear it; Wang was not so rich, and did not therefore contribute to it; but then he had the principal share of the business,
                   in renewing and stationing the boats, hiring the porters, horses, and carriages, etc., while Chou did little else than receive the
                   reports, write out the register, and pay disbursements.' (Lord Macartney, Journal, 25 August 1793).

                   The portrait was engraved as the twenty-frst plate in Alexander's The Costume of China: 'Chow-ta-zhin, a Qiian, or Mandarin,
                   holding a civil employment in the state, was, with Van-ta-zhin, entrusted by the Emperor with the care of the British Embassy
                   during its residence in China. He was a man of grave deportment, strict integrity, and sound judgment, as well as of great erudition;
                   having been preceptor to a part of the Imperial family. His external honours were the customary distinction of a blue ball on his cap;
                   from which was suspended a peacock's feather, being a mark of additional rank. He is attired in his full court dress, being a loose
                   gown of silk or satin, covering an under vest richly embroidered in silk of the most vivid colours; the square badge on his breast, and
                   its exact counterpart on the back, is also of rich embroidery, and contains the fgure of an imaginary bird, which denotes the wearer
                   to be a Mandarin of letters, in like manner as a tiger on the badge would shew the person to be in a military capacity. The beads
                   worn round the neck are occasionally of coral, agate, or of perfumed wood, exquisitely carved, as afluence or fancy may dictate. In
                   his hand he holds a paper relative to the Embassy.' (W. Alexander, The Costume of China, London, 1805).
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