Page 14 - Sotheby's Arcadian beauty Song Pottery Oct. 3, 2018
P. 14

ARCADIAN BEAUTY


           REGINA KRAHL









           In the Song dynasty (960-1279), probably more than in any   like Fan Chengda (1126-1193), who in many poems revelled in
           other period of China’s history, culture and education were   the joys of the country-dweller, for example in Late Spring (in
           considered the most important prerequisites of the elite   the rhymed translation of Gerald Bullett, ibid., p. 387):
           and valued higher than office and rank. Advancement in
                                                            Few come this way, and if a stranger should,
           society was certainly desired and sought, but at the same
                                                            See how the birds dart off, into the wood!
           time spurned, and the state’s most outspoken critics were
                                                            Shadows of dove-grey dusk the hills obscure,
           often celebrated as sages. Even if the post of a high official
                                                            And gathering reach my fagot-builded door.
           in the service of the Emperor was considered the ultimate
                                                            In a boat light as a leaf, still visible,
           achievement, a modest and humble existence far away from
                                                            My lad-of-all-work plies his single scull.
           it all, in harmony with nature, was at the same time one of
                                                            Alone, I weave my fence, of lithe bamboo,
           society’s fundamental ideals.
                                                            And ducks go primly homewards, two by two.
            Even if the post of a high official
                                                            In China, this glorification of
            in the service of the Emperor
                                                          simplicity, austerity and naturalness
            was considered the ultimate
                                                          went further; it encompassed the
            achievement, a modest and
                                                          arts as well as the crafts.
            humble existence far away from
            it all, in harmony with nature, was          If the bureaucrat may still have been able to live this dream at
            at the same time one of society’s            least at some point in his life, this was certainly impossible for
                                                         the Emperor; and yet, the same ideals prevailed even at the
            fundamental ideals… the same                 imperial palace. The handscroll Awakening under a Thatched
                                                         Awning, attributed to Emperor Gaozong (1107-1187, r. 1127-
            ideals prevailed even at the                 1162), the first emperor of the Southern Song in Hangzhou, for
            imperial palace.                             example, depicts a calm morning on a deserted lake, where
                                                         a lonely fisherman is seen stretching his limbs after a night
                                                         spent on his narrow, reed-covered boat, moored at a deserted
           The cow herd with his water buffalo, the fisherman in his boat,   rocky outcrop with nothing but shrubs and a willow tree
           the brush wood gatherer under gnarled pine trees are idyllic   nearby and a distant skyline of hills seen across the misty lake
           scenes endlessly repeated in paintings and evoked in poetry   (Qianxi nian Songdai wenwu dazhan/China at the Inception of
           and prose. In the First Prose Poem on the Red Cliff Su Dongpo   the Second Millennium: Art and Culture of the Sung Dynasty,
           (Su Shi, 1037-1101), for example, writes, referring to himself   960-1279, National Palace Museum, Taipei, 2000, pl. IV-8; fig.
           and his friends (in the translation of A.C. Graham, in Cyril   1).
           Birch, ed., Anthology of Chinese Literature, New York, 1965,
           p. 382):
                                                          In the Song, the celebration of
             Fishermen and woodcutters on the river’s isles, with fish
             and shrimps and deer for mates, riding a boat as shallow   artlessness was more than a flight
             as a leaf, pouring each other drinks from bottlegourds;   of fancy or a matter of taste, it was
             mayflies visiting between heaven and earth, infinitesimal
             grains in the vast sea, mourning the passing of our instant   a reflection of an overarching world
             of life, envying the long river which never ends! Let me
             cling to a flying immortal and roam far off, and live for ever  view.
             with the full moon in my arms! But knowing that this art is
             not easily learned, I commit the fading echoes to the sad
             wind.”                                      Such blissful, picturesque scenes of life in tune with nature
           Yet not only the recluse, who lived indeed as a farmer in forced   have a strong and universal attraction, and similar ideas
           exile, as Su Dongpo did at the time he wrote these lines,   flourished in the West since antiquity. The pastoral verses
           expressed such thoughts. We hear similar eulogies of the   of the Roman poet Virgil (70-19 BC), the Eclogues, inspired
           secluded realm uncorrupted by civilization from the scholar-  by earlier (3rd century BC) bucolic poems by the Greek poet
           official, who held a high government post at the Song court,   Theocritus, depict idyllic paradisiacal tableaux of Arcadia (or
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