Page 132 - Chinese Ceramics the Linyushanren Collection Part 1 , Christie's

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A VERY RARE CIZHOU WHITE-GLAZED 北宋 磁州窯白釉瓜棱瓶
LOBED VASE
來源
NORTHERN SONG DYNASTY, 11TH-12TH CENTURY Frank Caro，紐約，1966年2月
Pauline and Johnny Falk珍藏，藏品編號133，紐約佳士得，
The vase is well potted with lobed bulbous body rising to a 《The Falk Collection I: Important Chinese Ceramics and Works
trumpet neck and a flaring flower-shaped mouth, supported on a of Art》，圖錄日期2001年9月20日，拍品58號
scalloped foot. The exterior is covered with a white slip under a 千秋庭，東京
clear glaze that continues inside the neck.
展覽
7¬ in. (19.5 cm.) high, Japanese wood box 千秋庭，《創立十周年紀念展覽會》，東京，2006年，圖錄編
號86
HK$200,000-300,000 US$26,000-39,000
著錄
PROVENANCE 千秋庭，《中國美術蒐集》，東京，2006年，68頁，編號86
Frank Caro, New York, February 1966
Pauline and Johnny Falk Collection, no. 133, sold at Christie’s 瓶花口呈喇叭狀，直頸，腹部為瓜棱形，腹下漸收，圈足外撇
New York, The Falk Collection I: Important Chinese Ceramics 飾直棱紋。通體施白色化妝土，外罩透明釉。
and Works of Art, catalogue date 20 September 2001, lot 58
Sen Shu Tey, Tokyo 此器造型端莊古樸，釉質細膩光亮。磁州窯器形一般較厚實碩
大，玲瓏小巧如本瓶者甚為罕見，其花式喇叭口及瓜棱腹更為
EXHIBITED 北方磁器中少有，較多見於青白釉器物。同類磁州窯器物可比
Sen Shu Tey, Special Exhibition ‘Run Through 10 Years’, Tokyo, 東京松岡美術館收藏的一例，著錄於松岡美術館，《館藏東洋
2006, Catalogue, no. 86 陶瓷名品圖錄》，東京，1984年，圖版24。相比松岡美術館
例，本件花口瓶的器身瓜棱力度較大，且無頸部的弦線。舊金
LITERATURE 山亞洲藝術博物館亦藏有一例，腹部較圓，頸部較長，載於He
Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 68, Li，《Chinese Ceramics: A New Comprehensive Survey》，紐
no. 86 約，1996年，編號222。一件器身比例較修長的磁州窯例子，藏
於日本梅澤記念館，著錄於《龍泉集芳》，東京，1976年，第
This attractive lobed-form is more usually seen in qingbai- 一集，189頁，編號561。
glazed porcelains, and it is rare to find a well-potted stoneware
example. Compare the present lot to a very similar Cizhou
vase, illustrated in The Matsuoka Museum of Art, Selected
Masterpieces of Oriental Ceramics, Tokyo, 1984, no. 24. The
present vase has slightly more pronounced lobes on the
body and does not have the addition of pairs of double lines
encircling the trumpet neck. Another Cizhou example with
somewhat elongated neck and more rounded body is in the
Asian Art Museum of San Francisco, illustrated by He Li
Chinese Ceramics: A New Comprehensive Survey, New York,
1996, no. 222. Compare also a related Cizhou vase of more
slender proportion in the Umezawa Gallery, illustrated in
Mayuyama Seventy Years, Tokyo, 1976, vol. 1, p.189, no. 561.

The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏（一） 130