Page 125 - Bonhams May 16, 2019 London Japanese Art
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           A MAGNIFICENT SILVER AND ENAMEL DISH              Although unsigned, the extraordinarily high-quality execution and
           IN THE FORM OF A LARGE CHRYSANTHEMUM BLOOM        brilliant colours of the enamel decoration depicting the combination of
           Attributed to the Ozeki Company, Meiji era (1868-1912),    the ho-o bird and leaves of the paulownia tree –two Imperial emblems
           late 19th/early 20th century                      that enjoyed a widespread revival during the later Meiji era– have
           Worked in translucent repoussé enamel with gold and silver wire,   all the characteristics of a piece destined for Imperial presentation.
           the centre with a large solitary ho-o (phoenix) in flight with its train   The workmanship is comparable with the work of Hiratsuka Mohei,
           of feathers trailing in all their splendour around its body, surrounded   originally a tsuba-maker who must have turned to making other
           by a silver-edged circular narrow band containing kiku-mon   products after the samurai privilege of wearing two swords was
           (chrysanthemum crests) interwoven among formalized foliage, each   abolished by a government edict in 1876. Hiratsuka was renowned
           lobe of the outer rim decorated with a variety of chrysanthemum   for his enamel decoration and was also commissioned by the Ozeki
           blossoms among paulownias joining to form a continuous design,   company. See a koro by Hiratsuka illustrated by Oliver Impey and
           supported on three bracket feet similarly decorated with a kiku-mon   Malcolm Fairley, The Nasser D. Khalili Collection of Japanese Art, Vol.
           arrangement in coloured enamels, unsigned; with a wood storage box.  II, Metalwork Part I, London, Kibo Foundation, 1995, cat. no.61; and a
           4.5cm x 30cm (1¾in x 11¾in). (2).                 silver and enamel koro (incense burner) by the artist from the
                                                             Michael Tomkinson Collection, sold in these rooms, 6 November 2012,
           £40,000 - 45,000                                  lot 511. It is also interesting to compare the enamelling with that on
           JPY5,800,000 - 6,500,000                          other Ozeki pieces illlustrated in ibid., cat. nos.49 and 57.
           US$52,000 - 59,000



           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  123
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