Page 49 - 2019 September 11th Bonhams Japanese and Korean Art NYC
P. 49

786


           786
           UTAGAWA KUNIYOSHI (1797-1861), UTAGAWA KUNISADA I
           (TOYOKUNI III, 1786-1864), UTAGAWA YOSHIIKU (1833-1904),
           UTAGAWA KUNITERU II (KUNITSUNA II, 1830-1874) AND
           TSUKIOKA YOSHITOSHI (1839-1892)
           Edo period (1615-1868) and Meiji era (1868-1912)
           Comprising four oban tate-e print triptychs and an oban tate-e print;
           the first entitled Kanjin ozumo dohyo-iri no zu (Procession of Sumo
           Wrestlers for Fund-raising), 1847-1852, censor’s seals Watanabe,
           Kinugasa, signed Ichiyusai Kuniyoshi ga (on the center sheet); Nihon
           ozumo sekitori, (Great Sumo Wrestlers of Japan), 1845, published by
           Kagaya Katsugoro, censor’s seal Watari, signed Kunisada aratame
           Nidai Toyokuni ga (right sheet), Toyokuni ga (center sheet), Nidai
           Toyokuni ga (left sheet); Dainihon o-zumo yuriki sekitori kagami (The
           Brave Sekitori-rank Sumo Wrestlers), 1860, censor’s seal saru shi
           aratame, signed Ikkeisai Yoshiiku ga (on right and left sheets); Kanjin
           o-zumo hanei no zu (Picture of a Thriving Grand Fundraising Sumo
           Tournament), 1866, published by Daikokuya Heikichi, censor’s seals
           tora mi aratame, signed Oju Kuniteru ga (right sheet), Kuniteru ga
           (center sheet), Oju Ichiyusai Kuniteru ga (left sheet); the last entitled
           Yoshitoshi musha burui, published by Tsunashima Kamekichi, signed
           Taiso Yoshitoshi ga (13)
           13 3/4 x 9 1/2in (35 x 24cm) each approximately
           $2,500 - 3,500

           787
           UTAGAWA KUNIYOSHI (1797-1861), UTAGAWA KUNISADA I
           (TOYOKUNI III, 1786-1864), TSUKIOKA YOSHITOSHI (1839-           787
           1892) AND TOYOHARA KUNICHIKA (1835-1900)
           Edo period (1615-1868) and Meiji era (1868-1912), 1815-1899
           Comprising eight oban tate-e prints and an oban tate-e print   no Wakamatsu), from the series Akino nishiki chigusa tsukikage,
           diptych; the first entitled Hanaregoma Chokichi, 1854, published by   1861, published by Hirookaya Kosuke, censor’s seal tori shichi
           Otaya Takichi, censor’s seals aratame, tora hachi, signed Ichiyusai   aratame; both signed Toyokuni ga; Ichimura Uzaemon as Inumura
           Kuniyoshi hitsu; Tamura Tanosuke as Tengu Kozo Kiritaro and Bando   Kakutaro, from the series Haiyu tose kagami (Mirrors of Modern
           Hikosaburo as Hakamadare Yasusuke, both 1862, published by   Actors), 1815-1842, published by Tsutaya Kichizo, censor’s seal
           Hiranoya Shinzo, censor’s seal inu shichi aratame; each signed Kio   kiwame, signed Kochoro Kunisada ga; Ichikawa Sadanji as Obo
           Toyokuni hitsu; Fuga izaogi shinobu (Actor and Wind Bell), 1862,   Kichisa, from the series Seiukandanke awayuki, signed Oju Yoshitoshi
           published by Daikokuya Kichinosuke, censor’s seal inu shi aratame,   ga; the last Kanjincho Ichikawa Danjuro as Musashibo Benkei, 1899,
           signed Kio Toyokuni ga; Actor Ichimura Uzaemon XII as Asagao-  published by Tsunoi, censor’s seal, signed Kunichika (10)
           uri Take (Take the Morning-glory Seller), 1852, published by Ibaya   14 1/8 x 9 1/2in (35.9 x 24.2cm) each approximately
           Senzaburo (Dansendo), censor’s seals Mera, Watanabe, ne shichi;
           Hagi ni hisu Yoshida no Matsuwaka (Kawarazaki Gonjuor I as Yoshida  $1,500 - 2,000


                                                                                      FINE JAPANESE AND KOREAN ART  |  47
   44   45   46   47   48   49   50   51   52   53   54