Page 44 - The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part I

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A RARE FIVE-COLOR-OVERLAY PINK GLASS SNUFF BOTTLE
IMPERIAL, PALACE WORKSHOPS, BEIJING, 1750-1850

The bottle is carved through the opaque dark green, pale blue, yellow, red and pink overlay to
the translucent pink glass ground with a design of a woven basket overfowing with blossoms
and fruit including two fnger citrons, begonias, sweet peas and a large peony.
2√ in. (6 cm.) high, rose quartz stopper

$18,000-22,000

PROVENANCE:

Hugh Moss (HK) Ltd., Hong Kong, 2001
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 3167.

EXHIBITED:

Corning, New York, Corning Museum of Glass, 2007-2008.
Boston, International Chinese Snuff Bottle Society Convention, The Barron Collection,
23-26 September 2008.

There is a whole series of objects decorated with baskets of fowers or fruit decorations which can be
associated with the eighteenth-century Qing Court. The design is found on Imperial porcelain dishes
enameled at Jingdezhen and at the Court from the Yongzheng period and on a range of snuff bottles
attributable to the Palace workshops. Three examples of these imperial examples were in the Bloch
Collection. Two are of painted enamels on metal from the frst half of the Qianlong period (see Moss,
Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Hong
Kong, 2008, Volume 6, Part I, p. 162, no. 1079 and p. 163, no. 1080), while the third is of the Guyue
Xuan glass group, an Imperial group of the late Qianlong period certainly associated with, if not made
at the Court (ibid., p. 227, no. 1005). The design also started to appear on glass overlay bottles. For
an early example of an early single-color overlay, probably Palace Workshops, where the fruits are
contained in a bowl rather than a basket see Moss, Graham, Tsang, The Art of the Chinese Snuff
Bottle, The J&J Collection, New York, 1993, Volume II, p. 603, no. 362.

The pink ground color of the present example is extremely rare. The overall design is related to a pink
and green overlay bottle formerly in the J&J Collection, which is designed with a similar green basket
but with smaller pink begonia blossoms on a white ground (see ibid., p. 642, no. 393). It is interesting
to compare the bases of these two bottles as they exhibit two independent design choices. On the
present bottle, the basket motif does not continue on the base, presumably as a result of looking at
painted-enamel versions which left the base plain for inclusion of a mark. On the J&J bottle the design
of the basket continues on the base and imitates the base of a basket.

The popularity of baskets in general at the Court may arise from the probable symbolism of the basket
(lanzi) which may suggest male children (nanzi), one of the three desires dear to the Chinese heart
which are embodied in the term sanduo (‘three plenties’). These are, duofu (‘plenty of happiness’),
duoshou (‘plenty of years to live’) and duonanzi (‘plenty of male children’).

1750-1850年 御製粉紅地套五色玻璃花籃紋鼻煙壺

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