Page 60 - Chinese and Asian Ceramics from an Indonesian Collection
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Chapter 4. Glazed Ceramics in the Musi River






















            Figure 35. Wine or  tea ewer,  height  10.4 cm,  Song or  Yuan
                     Dynasty, Jiangxi Province, Jizhou ware. C10–C14, from
                     the Musi River, Boom Baru site. Catalogue No. K1426.












                                                               Figure 37. Jarlet, moulded swirling pattern beneath Qingbai
                                                                        glaze, height 10 cm, Yuan Dynasty, C13–C14, from
                                                                        the Musi River. Catalogue No. K2378.

            Figure 36. Bowl, height 7.8 cm, Song to Yuan Dynasties, Fukien
                     or Jangxi Provinces, Chien ware, C12–C14, from the
                     Musi River. Catalogue No. K1280.


            Shansi, and Shantung provinces between the Song and
            Ming dynasties (Koh 2010c). They were characterised by
            the use of creamy white slip to mask the dark colour of the
            buff-grey body. These wares utilised a great variety of glaze
            techniques utilising wax resist, leaf, and splashed designs
            into their stoneware tea bowls. Most examples make some
            use of black-and-white decoration featuring floral designs.
            Though strongly based in the north, some Cizhou-type
            wares were produced in the south, and the products were
            very widely distributed across China. However, little was   Figure 38. Lidded box, three linked boxes connected by flower
                                                                        ‘button’  and  central  lotus  bud  linked  by  stems,
            known to have been exported.                                Qingbai glaze slightly degraded, height 5.5 cm, Song
               Very few examples of this ware were observed from        Dynasty, Guangdong Province, C10–C12, from the
            the Musi. They included a small jar (K723) decorated        Musi River, 1 km up-steam from Sungai Parit 12
            simply with wavy pink lines incised through white slip;     mouth. Catalogue No. K1516.
            and a small bowl (K2429). It was possibly produced in the
            Hebei or Henan Provinces during the Northern Song or
            Jin Dynasties (see Chapter 6 on Storage Vessels).   they were highly valued for tea ceremonies, especially
                                                               among Buddhist monks. The wares often use leaves or
            Jizhou wares (C10–C14)                             paper cut-outs to create resist patterns in the glaze, by
            Jizhou (Chichou) ware was produced at several kilns at   leaving parts of the body untouched.
            Yonghe Town, Jian County in Jiangxi Province in the late-  Several examples of Jizhou type wares were recorded
            Tang Dynasty to the Yuan Dynasty. The best known wares   from the Musi. These included: large tea pots, one with
            were simple shapes in stoneware, with a strong emphasis   an attractive marbled polychrome glaze (K1404) and two
            on subtle effects in the dark glazes, comparable to Chien   with a dark brown glaze with paler spots (Figure 35) and
            ware, but often combined with other decorative effects. In   smaller and tea pots (K1290, K1368, K2200). Three vases
            the Song Dynasty, along with Chien ware mentioned below,   (K1696–7, K2384) which had a prime glaze of dark-brown

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