Page 28 - Deydier VOL.2 Meiyintang Collection of Chinese Bronses
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Lost wax casting
                                                                                                                                                                             This technique was first utilized in China around the 5  century bc.  It consisted
                                                                                                                                                                                                                           th
                                                                                                                                                                             of:

                                                                                                                                                                             1.  Making a wax model on a brick-clay core of the same size as the desired
                                                                                                                                                                                bronze vessel.
                                                                                                                                                                             2.  The decoration was then either carved by hand or stamp printed with the
                                                                                                                                                                                aid of a matrix, which was usually the case for the repetitive motifs of the
                                                                                                                                                                                Warring States period.
                                                                                                                                                                             3.  Once the decoration was completed, the wax object was bathed, once, with
                                                                                                                                                                                a small layer of liquid clay containing a resistant substance, then with
                                                                                                                                                                                several small layers of regular clay which thus formed a covering around
                                                                                                                                                                                the vessel.
                                                                                                                                                                             4.  On contact, the liquid bronze poured into the space between the core and
                                                                                                                                                                                the outer covering caused  the wax to melt and escape  through special
                                                                                                                                                                                openings left in the outer covering by the craftsman and simultaneously
                                                                                                                                                                                filled the space left between the matrix and the outer clay covering and
                                                                                                                                                                                took the form of the desired object.
                                                                                                                                                                             5.  After the metal cooled off, the mold around the bronze vessel was broken
                                                                                                                                                                                off, freeing the bronze vessel, which was retouched and manually finished
                                                                                                                                                                                wherever necessary.


















































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