Page 52 - Christies THE LAI FAMILY COLLECTION OF FINE CHINESE FURNITURE AND WORKS OF ART
P. 52

(detail)    915
    (another view)  A VERY RARE HUANGHUALI SQUARE BOX-
                    FORM STOOL, FANGDENG
                    17TH CENTURY

                    The attractively fgured single-panel top
                    is set within a square frame carved at the
                    corners with rounded edges. The design is
                    repeated on the concave legs of thick section
                    which continue through the base stretcher of
                    conforming shape to form the short feet.
                    18Ω in. (47cm.) high, 17æ in., (45.1 cm)
                    square

                    $120,000-180,000

                    PROVENANCE:

                    Property from the Lai Family Collection.

                    Box-form stools, such as the present example,
                    are extremely rare. The form is distinguished
                    by the simple elegance and refned geometry
                    of its design. The legs join to the top and base
                    frames with pyramidal joins, thus creating an
                    uninterrupted line, which is further enhanced by
                    the thinly beaded edges of the legs, aprons, and
                    base stretchers.

                    Compare a smaller cube-form jumu stool
                    (40.5 cm.) high, currently in the Peabody Essex
                    Collection, illustrated by N. Berliner and S.
                    Handler, Friends of the House: Furniture from
                    China’s Towns and Villages, Salem, 1995,
                    pp. 44-5, pl. 4. See, also, another huanghuali
                    example illustrated in Chan Chair and Qing
                    Bench: The Dr. S.Y. Yip Collection of Classic
                    Chinese Furniture II, Hong Kong, 1998, pp. 70-1,
                    pl. 6. Unlike the present example, the stool
                    in Dr. Yip’s Collection is supported by curved
                    ‘giant arm’s’ braces. Another, third, example
                    in hongmu was in the Charlotte Horstmann
                    Collection.

                    明末清初 黃花梨方櫈

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