Page 70 - Christies THE LAI FAMILY COLLECTION OF FINE CHINESE FURNITURE AND WORKS OF ART
P. 70

921
                                      HUANG BINHONG (1865-1955)

                        Landscape

                            Scroll, mounted and framed, ink and color on paper
                            Inscribed and signed, with one seal of the artist
                            Dated the second month, yichou year (1925)
                            19 Ω x 9 º in. (49.6 x 23.5 cm.)

                       $50,000-70,000

                                             PROVENANCE:

                            Property from the Lai Family Collection.

                                 Huang Binhong developed a distinctive painting style for
                                 landscapes that employed dense brushwork, intensive
                                 use of accent strokes, and complex compositions. This
                                 mountainous landscape pained in 1925 combines the
                                 two essential concerns that guided Huang Binhong’s
                                 artistic production throughout his entire lifetime, namely,
                                 drawing from life (xiesheng) and imitating old masters
                                 (lingu). He believed that it was only through the rigorous
                                 practice of both that an artist could truly reveal the inner
                                 beauty of both nature and tradition.

                                 In addition to employing the age-old theme of mountains
                                 and water, Huang Binhong here also invoked the past in
                                 his inscription, which repeats a poem written by the artist
                                 Qian Xuan (1235-circa 1305) on one of his own landscape
                                 compositions. The poem celebrates the beauty of the
                                 green landscape and the clearness of the Yangzi river
                                 waters. Yet, Huang modernized tradition by presenting
                                 the vista from a single viewpoint, set high above the
                                 scenery, a convention not found in earlier times.

                            黃賓虹 山水 設色紙本 鏡框 一九二五年作
                            題識:山色空濛翠欲流,長江清澈一天秋,茅茨
                            落日寒煙外,久立行人待渡舟,乙丑(1925年)
                            二月,黃賓虹畫像 光魚道兄法鑑。
                            鈐印印:黃質私印

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