Page 19 - Bonhams NYC Indian and Himalayan Art March 2019
P. 19

Babur’s memoirs, written in his ancestral Turki, were faithfully translated
           into Persian and illustrated by the finest court painters at the request
           of his grandson, Akbar. This painting is from the first of the four
           main Baburnama manuscripts, and as such the painting has a more
           animated and unreserved style than those in later texts. Twenty other
           pages from this initial manuscript are held in the Victoria & Albert
           Museum (Stronge, Painting for the Mughal Emperor, London, 2002,
           pp.86-91).

           Of these illustrated folios in the Baburnama depicting India’s flora and
           fauna, Smart writes:

           “The charm and detachment of the paintings of the animals, birds,
           and plants that Babur described upon his arrival in Hindustan offer
           the viewer a refreshing change from the complexities and emotions
           of the narrative paintings. While the scenes of activity make direct
           statements about Babur’s life, the flora and fauna tell much about
           his thoughts, interests, and powers of observation. The text is a
           long list of tropical species native to the subcontinent and unknown
           in Central Asia, with descriptions of their unusual characteristics.
           Babur was fascinated by natural history, and wrote in considerable
           detail about the more interesting varieties of Indian wild life. Akbar’s
           artists illustrated this section of the Baburnama with individual
           paintings of most of the species described by Babur, aptly realistic,
           and displaying an ability to observe and record, comparable to the
           observations in Babur’s writings. Babur would have been delighted
           with the illustrations.”
           (Smart, Paintings from the Barburnama, Ph. D. thesis, S.O.A.S.,
           University of London, 1977, pp.266-7).

           Published
           J.P. Losty, Indian and Persian Painting 1590-1840, Oliver Forge and
           Brendan Lynch Ltd, New York, 2014, pp.2-3.

           Provenance
           Manuscript dispersed in 1913
           Hagop Kevorkian, New York
           Sotheby’s, London, 7 December 1970, lot 96
           Sotheby’s, London, 27 April 1981, lot 65
           Colnaghi Ltd, London, 1981-3
           Private Virginia Collection






























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