Page 202 - Bonhams NYC Indian and Himalayan Art March 2019
P. 202

948
           A GILT AND POLYCHROMED COPPER REPOUSSÉ MANDALA    Published
           PANEL WITH INDRA AND KANHAPA                      Martin Brauen, Mandala: Sacred Circle in Tibetan Buddhism, New
           NEPAL OR TIBET, CIRCA 14TH CENTURY                York, 2009, fig.1.10.
           Himalayan Art Resources item no.68444             Franco Ricca, Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya,
           13 x 21 in. (33 x 53.4 cm)                        Turin, 2004, fig. IV.71.
                                                             David Weldon and Jane Casey Singer, The Sculptural Heritage of
           $30,000 - 50,000                                  Tibet: Buddhist Art in the Nyingjei Lam Collection, London, 1999, p.75,
                                                             fig.46.
           尼泊爾或西藏 約十四世紀 彩繪銅鎏金錘揲因陀羅與噶那巴壇城飾板
                                                             Exhibited
           Once a part of a glorious sculptural mandala, this fine Newari gilt   The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam
           and red painted repoussé panel depicts two scenes from its eastern   Collection, Ashmolean Museum, Oxford, 6 October - 30 December
           perimeter, divided by the mythical Great Tree, Shirisha. On the left,   1999.
           Indra sits on his elephant, Airavata, being propitiated by a serpent king   Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya, Palazzo
           and queen. On the right, Mahasiddha Kanhapa rides a zombie in the   Bricherasio, Turin, June –September 2004.
           charnel grounds, assisted by broad-bellied Acala. The panel’s bands of  Mandala: The Perfect Circle, Rubin Museum of Art, New York, 14
           finely articulated flames, vajras, and lotus petals correlate to protective   August 2009 - 11 January 2010.
           rings that commonly form part of a tantric Buddhist mandala.    Mandala: Scared Circle in Tibetan Buddhism, Michael C. Carlos
                                                             Museum, Emory University, Atlanta, 21 January - 15 April 2012.
           The panel’s fine repoussé and pigmented background indicate the
           work of a Newari master craftsmen. So too, does its classic Newari   Provenance
           representation of Indra, with his lithe pose and broad diadem.   The Nyingjei Lam Collection
           However, the location and patron of this great mandala may have   On loan to the Ashmolean Museum, Oxford, 1996–2005
           been in Tibet. A closely related pair of Newari repoussé plaques from   On loan to the Rubin Museum of Art, New York, 2005–2019
           the same, 14th-century period were sold at Bonhams, New York, 14
           March 2016, lot 13.



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