Page 60 - Bonhams NYC Indian and Himalayan Art March 2019
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           RAJA PAHAR SINGH HUNTING BOAR                     A PORTRAIT OF A HUNTING DOG
           MEWAR OR DEVGARH, LATE 18TH CENTURY               MEWAR, 18TH CENTURY
           Opaque watercolor and gold on paper; recto inscribed with ink in   Opaque watercolor and gold on paper.
           Devanagari in the upper margin: raja sri pahar singh ji umdede sing-  Image: 6 3/4 x 10 1/2 in. (17.1 x 26.6 cm);
           horo ri surat ghodho chutere bhujaye sabe kunwar bana ri surat che.   Folio: 8 x 11 7/8 in. (20.3 x 30.2 cm)
           “Portrait of Raja Pahar Singh riding the horse Chaturbhuja. Portrait of
           the Prince.”                                      $1,000 - 1,500
           Image: 10 1/4 x 14 7/8 in. (26 x 37.7 cm);
           Folio: 13 x 17 3/8 in. (33 x 44 cm)               His portrait indicates the dog was favored within Mewar’s court, not
                                                             only for his gold-bead collar and larger gold necklace with suspended
           $3,000 - 5,000                                    floral pedants, but also for his well-groomed condition. The treatment
                                                             of his snout suggests the painter afforded him a greater sense of natu-
           The pastel palette, lavish use of gold and treatment of the boar com-  ralism than the hunting dogs depicted in various hunting scenes from
           pares favorably with a hunting scene of Ari Singh, formerly in the How-  Ari Singh through to Sajjan Singh; see Kossak, Indian Court Painting,
           ard Hodgkin Collection, sold at Sotheby’s, London, 24 October 2017,   New York, 1997, p.125, no.78, for a portrait of a hunting dog ac-
           lot 91. Also compare a closely related late 18th-century unfinished   companying Bhim Singh. Single portraits of favored animals with plain
           hunting scene of Kunvar Anop Singh and Kunvar Bakhtavar Singh   backgrounds were common throughout Rajput courts, and dogs were
           (Beach & Singh, Bagta and Chokha, Zurich, 2005, p.67, fig.79.)    particularly favored at Devgarh; see Tooth, Indian Paintings, London,
                                                             1974, no.64 and 1975, no.49 for dogs with similar ornamental collars.
           Provenance
           Navin Kumar Gallery, New York, 1980s              Provenance
           Private Rhode Island Collection                   Collection of George Andrew Spottiswoode (1827-1899), London
           58  |  BONHAMS                                    Thence by descent to the current owner
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