Page 366 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 366
pp.277-335.
Yu, Peijin, ‘Taoye tuce suojian Qianlong huangdi de lixiang guanyao’ [The Emperor
Qianlong’s Ideal Imperial Kiln as Seen in the Illustrated Album of Ceramics Making],
Gugong xueshu jikan [Research Quarterly of the National Palace Museum], 30, 3
(2013), pp.185-237
Yu, Peijin,’ Qing yongzheng citai huafalang liuye tuwan [A enamelled porcelain
bowl with willow leaves in Yongzheng period], Gugong wenwu yuekan [Monthly
journal of National Palace Museum], 319 (2009), pp.112-15.
Zhang, Fukang, ‘Zhongguo chuantong diwen seliao yu yangcai [Chinese Traditional
Low Fired Glazes and Over-glaze Colours] in zhongguo gudai taoci kexue jishu
chengjiu [The Achievements of Chinese Pottery] (Shanghai, 1986), pp.333-48.
Zhou, Lili, ‘Guanyu yangcai yu fencai de taolun—jianshu qingdai gechao guanyao
fencai de tezheng’ [A discussion of yangcai and fencai and analysis of
characteristics of imperial fencai] Shanghai bowuguan jikan [The Bulletin of the
Shanghai Museum], 1(2005), pp.210-227.
349